George Gordon, sixth Baron Byron

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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron

Connections

Connections Author name Sort ascending Excerpt
Literary responses Felicia Hemans
Norma Clarke sees in this late work some of FH 's strongest poetry and a resolution of the conflicts and inhibitions of her earlier work: Deeply religious, personal, and direct, they reaffirm the centrality of...
Reception Felicia Hemans
FH 's circulation in her lifetime rivalled that of her most prominent male contemporaries. With sales of about 18,000 volumes, she outsold Coleridge and Wordsworth , if not Scott and Byron . She proved, as...
Intertextuality and Influence Felicia Hemans
She particularly admired Joanna Baillie 's Ethwald and the Chronicles of Froissart . Germaine de Staël 's Corinne was another major influence on her. She wrote years later: That book, in particular towards its close...
Literary responses Felicia Hemans
Byron , in a letter to Murray by 30 September 1816, praised The Restoration of the Works of Art to Italy as a good poem—very, and he echoed it in Canto 4 of Childe...
Literary responses Felicia Hemans
Byron considered this poem inadequate as a result of FH 's lack of first-hand knowledge of Greece; her position on the controversial appropriation of the Greek antiquities by Britain also differed from his.
Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii.
xvi
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Reception Felicia Hemans
Nevertheless, the Romantic Circles Electronic Edition of this poem edited by Nanora Sweet and Barbara Taylor represents it as a much more open and indeed sceptical text than FH 's own comment suggests, and subtitles...
Literary responses Felicia Hemans
Appreciation of FH was slowly growing. Following on the positive responses from Scott and Byron , in October 1820John Taylor Coleridge in the influential Quarterly Review (published by John Murray , her own publisher)...
Intertextuality and Influence Felicia Hemans
The volume cost nine shillings and sixpence, and when the edition of 1,000 sold out, FH 's share of the profits split with John Murray was £66. According to recent editors of the text, the...
Literary responses Ann Hawkshaw
In a review for the Athenæum, George Walter Thornbury stated abruptly that AH 's collection has at least two merits,—it has no Preface and it has a purpose. Finding that the sonnets do not...
Intertextuality and Influence Ann Hatton
The title-page quotes Milton and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare or Byron or attributed only...
Intertextuality and Influence Ann Hatton
The title-page quotes Ovid and the first chapter is headed by Byron . The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young...
Textual Features Mary Anne Duffus Hardy
The business of these poems is to heroicize the British soldiers fighting in Crimea, in such lines as They fell, but died not—heroes cannot die.
Athenæum. J. Lection.
1428 (1855): 290
The verses make frequent use of...
Literary responses Mary Agnes Hamilton
The Times Literary Supplement perceptively noted that this story might have been written in refutation of Byron 's dictum: Man's love is a thing apart while it is a woman's whole existence.
The Oxford Dictionary of Quotations. Oxford University Press.
Carew, Dudley. “Folly’s Handbook”. Times Literary Supplement, No. 1331, p. 532.
532
Education Elizabeth Ham
EH continued learning throughout her life. She borrowed books whenever an opportunity arose. She discovered Burns and took him to her heart, and later, with slightly less enthusiasm, Byron 's Childe Harold.
Ham, Elizabeth. Elizabeth Ham, by Herself, 1783-1820. Editor Gillett, Eric, Faber and Faber.
179
Intertextuality and Influence Elizabeth Ham
EH writes without overall construction, jumping from one topic and one anecdote to another. By this means, however, she captures both the inconsequential flavour of a life lived without overall plan and at the whim...

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