Pilditch, Jan. Catherine Carswell. A Biography. John Donald.
142
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Julia Frankau | JF
loved to read the current books but had no interest in the lives of the authors. Among literature of the past she much admired that of the eighteenth century, and particularly Richardson
's Clarissa... |
Textual Production | Frances Horovitz | Greg Gatanby
included FH
's poem Invocation in his Whales: A Celebration, 1983. This anthology comprises excerpts from literature, legends, myths, religions, and poetry from around the world. Among others included are Jonathan Swift |
Textual Production | Catherine Carswell | CC
published in the Glasgow Herald a favourable review of D. H. Lawrence
's The Rainbow. Though its praise was less unqualified than that she had given The White Peacock in 1911, it got... |
Textual Production | Doris Lessing | |
Textual Production | Sir James George Frazer | The Golden Bough, a comparative study of human beliefs from the earliest times, had a major influence on modernist writings. SJGF
's text outlines an evolving belief system, which moves from magic, to religion... |
Textual Production | Lady Cynthia Asquith | For this volume D. H. Lawrence
wrote his well-known The Rocking-Horse Winner (after LCA
had turned down his Glad Ghosts because of its portrait of herself), about a child whose toy steed gives him the... |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Marie Belloc Lowndes | MBL
's Love is a Flame appeared as one of the first of the paperbound, novella-length Ninepenny Novels series. The Times Literary Supplement comments on the series shared a page with a review of Lawrence |
Textual Production | Violet Hunt | VH
was one of the first readers of the works which launched D. H. Lawrence
's career in English letters—the poetry and short story, The Odour of Chrysanthemums, sent to the Review by his... |
Textual Production | Catherine Carswell | CC
published a second biography, The Savage Pilgrimage: A Narrative of D. H. Lawrence. After brisk early sales, charges that it was libellous caused her publisher, Chatto and Windus
, to remove it from the market. Pilditch, Jan. Catherine Carswell. A Biography. John Donald. 142 Carswell, John, and Catherine Carswell. “Introduction”. The Savage Pilgrimage: A Narrative of D. H. Lawrence, Cambridge University Press, p. v - xxxv. xxv Carswell, Catherine. Lying Awake: An Unfinished Autobiography and Other Posthumous Papers. Editor Carswell, John, Secker and Warburg. 204-6 |
Textual Production | Helen Dunmore | HD
's many other writings include reviews (of both poetry and fiction), introductions (to the poems of Emily Brontë
, the stories of D. H. Lawrence
and F. Scott Fitzgerald
, and a study of... |
Textual Production | Lady Ottoline Morrell | LOM
began work on her memoirs in 1919, and returned to them more seriously in 1925. Seymour, Miranda. Ottoline Morrell: Life on the Grand Scale. Farrar Straus Giroux. 316, 345 |
Textual Production | Lady Cynthia Asquith | Her letters to D. H. Lawrence
are in the Harry Ransom Research Center
at the University of Texas at Austin
and her letters to Walter de la Mare
in the Bodleian Library
. Most of... |
Textual Production | Aldous Huxley | AH
's novel Point Counter Point appeared, featuring identifiable portraits of D. H. Lawrence
as Rampion, John Middleton Murry
as Burlap, and Nancy Cunard
as Lucy Tantamount. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press. 357 Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press. 278 Watt, Donald, editor. Aldous Huxley: The Critical Heritage. Routledge and Kegan Paul. 147 |
Textual Production | Dorothy Brett | Like most of her circle DB
was an energetic letter-writer. In 1931 she made a will leaving all of her papers and Lawrence
's in her possession to Alfred Stieglitz
and Georgia O'Keeffe
, but... |
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