Beach, Sylvia. Shakespeare and Company. Harcourt, Brace, 1959.
|Connections Sort descending||Author name||Excerpt|
|Friends, Associates||Gertrude Stein|
|Friends, Associates||Natalie Clifford Barney|
|Friends, Associates||Sylvia Beach|
|Intertextuality and Influence||Ali Smith||
Reviewer Sophie Ratcliffe observed an overarching tree motif in the volume, with May featuring a character who falls in love with a tree and The Shortlist Season seeing a visitor to an art gallery being...
|Intertextuality and Influence||Willa Cather||
This novel poses a challenge both to contemporary and to later conventions of gender morality—a fact reflected in the tendency of commentators to liken it to Flaubert 's Madame Bovary,
than which it...
Cather, Willa. A Lost Lady. Virago, 2000.
|Literary responses||Aldous Huxley||
This book laid the foundation for AH 's reputation for cynicism and wit.
One admirer of his wit, F. Scott Fitzgerald , called it the highest point so far attained by Anglo-Saxon sophistication.
Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press, 1996.
Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press, 1987.
Matthew, Henry Colin Gray, Brian Harrison, and Lawrence Goldman, editors. Oxford Dictionary of National Biography.
|Textual Features||Helen Dunmore||
Her allusions often require some decoding (in The marshalling yard it is women, not cows, who board the cattle trucks).
HD likes to rewrite traditional stories, including Bible stories: in Annunciation off East Street...
Dunmore, Helen. Short Days, Long Nights. Bloodaxe Books, 1991.
|Textual Production||Helen Dunmore|