Mannin, Ethel. All Experience. Jarrolds.
74
Connections | Author name Sort descending | Excerpt |
---|---|---|
Reception | Vernon Lee | This book lost Lee the friendship of others who had admired her Studies of the Eighteenth Century in Italy. Broken friendships included those with Oscar Wilde
(refigured as the character Posthlethwaite), Jane
and William Morris |
Intertextuality and Influence | Ethel Mannin | EM
mentions spending her earlier years, whilst I was still serious, Mannin, Ethel. All Experience. Jarrolds. 74 Mannin, Ethel. All Experience. Jarrolds. 74, 75 |
Leisure and Society | L. T. Meade | These tastes leaned to the pre-Raphaelite, with Morris
hangings and photogravures after Burne-Jones
and Watts
. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 222, 228 Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 223 |
Publishing | Edna St Vincent Millay | In 1924 Frederic
and Bertha Goudy
printed a limited edition of the title-poem Renascence at their Village Press
, using the very hand press that William Morris
had used for the Kelmscott Chaucer
. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 320 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Friends, Associates | Emmeline Pankhurst | Among those gathering at the Pankhursts' Russell Square salon were William Morris
, Annie Besant
, Keir Hardie
, Tom Mann
, and Elizabeth Cady Stanton
. Mitchell, David J. The Fighting Pankhursts: A Study in Tenacity. MacMillan. 24 |
Education | Sylvia Pankhurst | SP
grew up amidst the political discussions of her parents' home. An intimate friend, politician Keir Hardie
, later remarked of this informal education: So that is what is the matter with you! You heard... |
Occupation | Sylvia Pankhurst | SP
made very little money from artistic commissions, but devoted her talents in visual art to the Women's Social and Political Union
. She designed the cover of Votes for Women. Other artistic contributions... |
Occupation | Walter Pater | While at Brasenose
, he wrote three anonymous essays for the Westminster Review: Coleridge
's Writings, Winckelmann, and The Poetry of William Morris. All three were attacked, says scholar Laurel Brake |
Friends, Associates | F. Mabel Robinson | FMR
shared to the full the social involvement of her family with entertaining leading figures in London cultural life: such men as John Singer Sargent
, Robert Browning
, William Morris
, and Oscar Wilde |
Literary responses | Christina Rossetti | CR
's critical reputation stood very high from the appearance of Goblin Market, although she was not a popular poet. H. Buxton Forman
in Our Living Poets, 1871, got her middle name wrong... |
Family and Intimate relationships | Dante Gabriel Rossetti | DGR
met the woman who became known professionally as Fanny Cornforth
in 1856, when she began to sit for him for paintings including an unfinished study of a fallen woman or prostitute entitled Found... |
Intertextuality and Influence | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Friends, Associates | Edith J. Simcox | Her connection with George Eliot
and her own political activities brought EJS
into friendly association with a number of key social figures including William Morris
, Eliza Orme
, and Elizabeth Garrett Anderson
. Fulmer, Constance M. et al. “Preface, Introduction and Editorial Materials”. A Monument to the Memory of George Eliot, Garland, pp. xi - xvii, 1. xii Fulmer, Constance M. “A Nineteenth Century ’Womanist’ on Gender Issues: Edith Simcox in her <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Autobiography of a Shirtmaker</span>”;. Nineteenth Century Prose, Vol. 26 , No. 2, pp. 110-26. 115 |
Education | Constance Smedley | After this she became a star student Brockington, Grace. “&A World Fellowship&: The Founding of the International Lyceum Club for Women Artists and Writers”. Lyceum Club. 2 Smedley, Constance, and Maxwell Armfield. Crusaders. Chatto & Windus. 15 |
Intertextuality and Influence | Constance Smedley | Jessica and her younger brother, Edgar, both respond with ecstasy to an offer to borrow books they have not already read (William Morris
, William Blake
, [a]nd people I don't know; and books... |
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