Wolff, Cynthia Griffin. Emily Dickinson. Knopf, 1986.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Author summary | Medbh McGuckian | MMG
, who lives in Northern Ireland, is well-regarded among contemporary poets writing in English. She began by writing a very private and reserved poetry. Using images from the home and from nature, she explored... |
Reception | Medbh McGuckian | Single Ladies was most enthusiastically reviewed by Anne Stevenson
in the Times Literary Supplement. She judged MMG
's talent too original to be spoiled by the praise or misunderstanding of critics: her successes are... |
Reception | Michelene Wandor | MW
won an international Emmy Award for her television adaptation of William Luce
's play about Emily Dickinson
, The Belle of Amherst, for Thames Television
. Michelene Wandor. http://www.mwandor.co.uk/. Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers, 1996. 90 |
Reception | Sappho | Among the earliest of Sappho
's translators into English was Anne Finch
; among recent translators is Mary Barnard
, 1958. Stevie Smith
declined to take her on. Finch chose to render not a love-poem... |
Reception | Julia Ward Howe | Elaine Showalter
's biography, The Civil Wars of Julia Ward Howe, 2016, claimed that Howe possessed the subversive intellect of an Emily Dickinson
, the political and philosophical interests of an Elizabeth Barrett Browning |
Textual Features | Adrienne Rich | AR
's delineation of a lesbian continuum . . . of woman-identified experience Rich, Adrienne. Blood, Bread, and Poetry. Norton, 1986. 51 |
Textual Features | Anne Stevenson | Despite the strong emotion expressed in some of these poems, AS
later remembered the volume as setting free her gift for irony. Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998. 126 |
Textual Features | Edith Sitwell | The English edition appeared the following year. Her choice for inclusion is, as usual, idiosyncratic. She begins well before Chaucer
, with anonymous early religious poems in which may be heard, she writes, the creaking... |
Textual Features | Carol Ann Duffy | Many poems here feature women answering back to canonical male voices: Liz Lochhead
to Donne
, Jenny Joseph
to W. S. Gilbert
, U. A. Fanthorpe
to Walt Whitman
, Wendy Cope
to A. E. Housman |
Textual Features | Carol Shields | The poems in Others specialise in evocations of other people, often presented, as the titles of the poems acknowledge, not through an individual observer but through the self-confirming judgement of a couple or a group:... |
Textual Features | Germaine Greer | Women are a minority here, but well represented: Fleur Adcock
, Anna Letitia Barbauld
, Amy Clampitt
, Olive Custance (Lady Alfred Douglas)
, Emily Dickinson
, Freda Downie
, U. A. Fanthorpe
, Vicki Feaver |
Textual Features | Adrienne Rich | These poems abandon AR
's former regular metres for free verse, as they abandon decorum for outspoken personal expression about the struggle necessary to be a thinking woman rather than a good girl. qtd. in O’Mahoney, John. “Poet and Pioneer: Adrienne Rich”. The Guardian, 15 June 2002, pp. Review 20 - 3. 22 |
Textual Features | Monica Furlong | The different spiritual traditions represented here include ancient Greeks, medieval Christians, Buddhists, Jews, Australian Aboriginals and Native Americans. The authors of prayers include Teresa of Avila
, Emily Dickinson
, Denise Levertov
, Oodgeroo Noonuccal
, and Alice Walker
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Features | Deborah Levy | The book and one of the chapters are headed with epigraphs, from Marguerite Duras
and Elena Ferrante
. Other writers or artists who are referred or appealed to include Emily Dickinson
, James Baldwin
... |
Textual Production | Anne Carson |
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