Devlin, Polly, and E. Arnot Robertson. “Introduction”. Four Frightened People, Virago, p. vii - xix.
ix
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | E. Arnot Robertson | J. B. Priestley
, focussing on the noble-savage aspects of this story, complained that its characters do not really come from Borneo, they come from Rousseau
and cloud-cuckoo land. Devlin, Polly, and E. Arnot Robertson. “Introduction”. Four Frightened People, Virago, p. vii - xix. ix |
Literary responses | Maria Edgeworth | Literary memoirs and old second-hand illustrated editions testify to ME
's enormously wide juvenile audience during the Victorian period. She influenced the work of later children's writers as various as Louisa May Alcott
, Frances Hodgson Burnett |
Literary responses | Mary Lamb | In reading The Father's Wedding-day, Walter Savage Landor
said he pressed my temples with both hands, and tears ran down to my elbows.. He read this story over and over again, Burton, Sarah. A Double Life: A Biography of Charles and Mary Lamb. Viking. 244 |
Intertextuality and Influence | Stéphanie-Félicité de Genlis | This work of pedagogy takes the form of an epistolary novel: a picture of contemporary culture, since its range of reference to other texts is wide. It assumes, like Rousseau
's Nouvelle Héloïse, the... |
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Helen Maria Williams | This novel re-writes Rousseau
's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan
's Sidney Bidulph or Henry Mackenzie
's Julia de Roubigné. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon. 33 |
Intertextuality and Influence | Elizabeth Griffith | He describes her with a line from Donne
's Second Anniversary. EG
's range of reference here includes Rousseau
, Milton
, Frances Greville
, and Lady Mary Wortley Montagu
. Characters discuss and... |
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta. |
Intertextuality and Influence | Helen Maria Williams | |
Intertextuality and Influence | Mary Wollstonecraft | Again the novel centres on its heroine; again the message is dark; again Rousseau
's Julie, ou La Nouvelle Héloise is an important presence in the text. This time, however, it is complex rather than... |
Intertextuality and Influence | Mary Hays | |
Intertextuality and Influence | Mary Wollstonecraft | MW
was replying to a number of authoritative male texts about the nature of women: by Burke
(who in Reflections on the Revolution in France had glorified Marie-Antoinette
and dismissed non-queenly femininity as animal), Rousseau |
Intertextuality and Influence | Mary Shelley | As it stands, Frankenstein is no ghost story, though it is rich in the uncanny, and aims to chill its reader's blood. MS
shows an astonishing power for such a young author of weaving together... |
Intertextuality and Influence | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Intertextuality and Influence | Sophia King |
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