“Nell Dunn”. Alan Brodie Representation: Clients.
BBC
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Nell Dunn | |
Textual Production | Naomi Alderman | NA
says this book was facilitated by the success of fictions about other, distinct communities: Zadie Smith
's White Teeth, Monica Ali
's Brick Lane, and especially influenced by Jeanette Winterson
's Oranges... |
Textual Production | Jackie Kay | JK
continues to publish stories in periodicals: for instance Wish I was here, commissioned for Guardian, 2 August 2003. Kay, Jackie. “Wish I was here”. Guardian Weekly, 2 Aug. 2003, pp. 50-3. 50 Kay, Jackie. “Short story endings”. Mslexia, Vol. 20 , Jan. 2004, pp. 44-5. 45 |
Textual Production | Catherine Cookson | By the late 1980s, when she was past eighty herself and in precarious health, CC
had become an industry that supported a vast empire, with hundreds of people dependent on her for their livelihood. This... |
Textual Production | Cicely Hamilton | Her radio broadcast for the BBC
on 2 April 1943, marking the twenty-fifth anniversary of women's suffrage, was another memorable speech. |
Textual Production | Andrea Levy | Levy says she began work on this novel after, as an adult, she at last got her mother talking about the earlier, Jamaican part of her life. At first she was very nervous writing a... |
Textual Production | Teresa Deevy | This reached print the year after it was performed, in the Dublin Magazine. It played in Cork in 1939, opening on 6 November. A television film made from it was broadcast by the BBC |
Textual Production | Ann Oakley | It was televised by the BBC
amid much media hyperbole. Oakley, Ann. Taking It like a Woman. Flamingo, 1992. xiv Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Cochrane, Kira. “Ann Oakley: ’Barbara Wootton was too visionary’”. theguardian.com, 7 July 2011. |
Textual Production | Jean Rhys | The production was commissioned by the BBC
, and took place at the Royal Festival Hall
in London. It was conducted by Colin Davis
, with Meriel Dickinson
as soloist. The work was later... |
Textual Production | Phyllis Bottome | |
Textual Production | Anne Devlin | The opening instalment of AD
's three-part television adaptation of D. H. Lawrence
's novel The Rainbow was first aired on BBC One
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 245 Schrank, Bernice, and William W. Demastes, editors. Irish Playwrights, 1880-1995. Greenwood Press, 1997. 95 |
Textual Production | Agatha Christie | |
Textual Production | Katherine Mansfield | Scholar Claire Tomalin
suspects that this refusal had to do with KM
's unacknowledged debt to Chekhov
in The Child-Who-Was-Tired. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Naomi Alderman | She also wrote Borrowed Time, 2011, a novel which is a spin-off from the BBC
's Doctor Who series, which she regards as fan fiction. Armitstead, Claire. “Naomi Alderman. A life in . . ”. theguardian.com, 28 Oct. 2016. |
Textual Production | Wendy Cope | WC
's radio play Shall I Call Thee Bard? A Portrait of Jason Strugnell was broadcast by BBC
Radio 3. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
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