“The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust.
Richard Bentley and Son
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Georgiana Chatterton | Its working title had been The O'Neills. GC
sold the copyright to Richard Bentley
on 14 August 1863 for a hundred and fifity pounds. |
Publishing | Jessie Fothergill | While the first two of these novels were published by Bentley
in three volumes, The Lasses of Leverhouse appeared in one-volume form from Hurst and Blackett
. This domestic story was first seen in the... |
Publishing | Fanny Aikin Kortright | She says that, not being personally known to Beecher Stowe, she has not asked leave for her dedication, but that Stowe
's work for the black slaves suggests she would favour a work written to... |
Publishing | Rhoda Broughton | RB
's novel Dear Faustina was published in a single volume by Bentley
, following its serialisation in Temple Bar. Murphy, Patricia. “Disdained and Disempowered: The "Inverted" New Woman in Rhoda Broughton’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Dear Faustina</span>”. Tulsa Studies in Women’s Literature, Vol. 19 , No. 1, pp. 57-79. 58 |
Publishing | Mary Cholmondeley | Her publisher, Bentley
, had received the manuscript from MC
's friend Rhoda Broughton
. Bentley paid MC
£40 for The Danvers Jewels and £50 for its sequel, Sir Charles Danvers (also published by Bentley... |
Publishing | Charlotte Riddell | She dedicated this novel to a friend named Mrs Skirrow. Ellis, Stewart Marsh. Wilkie Collins, Le Fanu, and Others. Books for Libraries Press. 331 |
Publishing | Catherine Gore | |
Reception | Ouida | This novel was successful enough to make publisher Richard BentleyRichard Bentley and Son
consider taking over publication of Ouida
's novels from Chapman and Hall
. Jordan, Jane. “Ouida: The Enigma of a Literary Identity”. Princeton University Library Chronicle, Vol. 57 , No. 1, pp. 75-105. 87 |
Reception | Helen Mathers | Comin' Thro' the Rye sold over 35,000 copies for publisher Bentley and Son
. HM
had made a bad mistake in selling for 30 guineas the copyright in a novel which went on to make... |
Reception | Rosa Nouchette Carey | The British Library
holds RNC
's correspondence with two of her publishers, Bentley
and Macmillan
, while Columbia University
, New York, holds her correspondence with Hodder and Stoughton
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Hodder and Stoughton Records 1875-1914”. Columbia University in the City of New York, Rare Book & Manuscript Library. |
Residence | Harriet Martineau | On her arrival she was courted by publishers Richard Bentley
, Henry Colburn
, and William Saunders
for the right to issue reprints and new books. Martineau, Harriet, and Gaby Weiner. Harriet Martineau’s Autobiography. Virago. 2: 95-100 |
Textual Features | Catherine Gore | CG
told Sydney Morgan
that her publisher, Bentley
, had both thought of the subject and suggested the title. But with this self-exculpation she admitted that her protagonist was based on Mary, Countess of Cork and Orrery |
Textual Production | Mary Russell Mitford | As early as 1824 MRM
was asking the advice of friends as to whether they thought she could be a novelist. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 29 |
Textual Production | Catherine Sinclair | |
Textual Production | Frances Power Cobbe | By early 1876, someone using the name of Fanny Power Cobbe
(legitimately as it turned out, but apparently impersonating FPC
) sent submissions to George Bentley
(of the publishing house
), Tinsley's Magazine, and... |
Timeline
No timeline events available.
Texts
No bibliographical results available.