Athenæum. J. Lection.
350 (1834): 518
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Mary Brunton | |
Textual Production | Lady Charlotte Bury | |
Publishing | Lady Charlotte Bury | |
Publishing | Maria Callcott | She may have translated into English parts of the Essays on Petrarch which Ugo Foscolo
privately published (in only sixteen copies) through Bentley
on 1 May 1821 after being outraged by changes made in translation... |
Reception | Rosa Nouchette Carey | The British Library
holds RNC
's correspondence with two of her publishers, Bentley
and Macmillan
, while Columbia University
, New York, holds her correspondence with Hodder and Stoughton
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Hodder and Stoughton Records 1875-1914”. Columbia University in the City of New York, Rare Book & Manuscript Library. |
Publishing | Georgiana Chatterton | She had signed the agreement with her publisher, Richard Bentley
, on 4 December 1861. “The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust. |
Publishing | Georgiana Chatterton | Its working title had been The O'Neills. GC
sold the copyright to Richard Bentley
on 14 August 1863 for a hundred and fifity pounds. “The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust. |
Publishing | Mary Cholmondeley | Her publisher, Bentley
, had received the manuscript from MC
's friend Rhoda Broughton
. Bentley paid MC
£40 for The Danvers Jewels and £50 for its sequel, Sir Charles Danvers (also published by Bentley... |
Publishing | Mary Cholmondeley | MC
decided not to serialise Red Pottage, as she had her earlier novels. She insisted that to be fairly judged, the story must be read as a whole. Crisp, Jane. Mary Cholmondeley, 1859-1925. Department of English, University of Queensland. 11 |
Textual Production | Frances Power Cobbe | By early 1876, someone using the name of Fanny Power Cobbe
(legitimately as it turned out, but apparently impersonating FPC
) sent submissions to George Bentley
(of the publishing house
), Tinsley's Magazine, and... |
Publishing | Frances Power Cobbe | She paid for the printing, typesetting, and binding herself, though the book was nominally published by Bentley
; within three months she had made £600. Mitchell, Sally. Frances Power Cobbe: Victorian Feminist, Journalist, Reformer. University of Virginia Press. 346 |
Publishing | Wilkie Collins | It was hard to find a publisher for Antonina until Bentley
agreed to pay him a hundred pounds for it, with a further hundred to follow if the edition sold more than 500 copies (which... |
Publishing | Marie Corelli | Despite his readers having refused to recommend its publication, George BentleyRichard Bentley and Son
decided to print MC
's first novel. He suggested a change in the title, on grounds that its original title, Lifted Up, was... |
Publishing | Marie Corelli | This book appeared anonymously, but it quickly came to be known that MC
had co-authored it, along with Eric Mackay
(her half-brother) and Henry Labouchere
. As the extent of Mackay and Labouchere's contribution is... |
Publishing | Emily Eden | Her publisher, Bentley
, had offered her £250, but she held out for and got £300, and felt that the book's success had vindicated her bargaining. Eden, Anthony, and Emily Eden. “Introduction”. Two Novels, Victor Gollancz, pp. 7-20. 17 |
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