Speight, Helen. “Rachel Speght’s Polemical Life”. Huntington Library Quarterly, Vol.
65
, No. 3/4, 2002, pp. 449-63. 452
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Maria Elizabetha Jacson | This book appeared, like her next, as by a Lady; the British Library
copy (filmed for Eighteenth Century Collections Online) has a manuscript note identifying the author on the printed testimony of Erasmus... |
Textual Production | Margiad Evans | Both the British Library
and the Bodleian
library catalogues list ME
as joint compiler (with K. Lawson, that is Kenneth Charles Lawson
) of an anthology entitled Contemporary Verse, 1949. Her biographers, however, do... |
Textual Production | Catharine Trotter | Catharine Cockburn (formerly CT
) apparently returned, at some time between 1717 and 1725, to the epistolary genre of her youth in the uncompleted, unrevised Letters of Aspasia, Camilla and Serena (among in the Birch... |
Textual Production | Anna Seward | Literary historian Ann B. Shteir
thinks AS
may be the author of The Backwardness of the Spring Accounted For, a poem written into a copy of Linnaeus
's A System of Vegetables, 1783... |
Textual Production | Annie Besant | Over the following months, Thomas Scott
paid AB
for further pamphlets which she assiduously researched in the British Museum
, producing titles such as Inspiration, The Atonement, Meditation and Salvation, Eternal Torture... |
Textual Production | Elizabeth Cobbold | EC
was very likely the (supposedly male) editor of The Chaplet, Poems, partly original and partly selected from the most approved authors, an Ipswich anthology of poetry with good representation of women. The British Library |
Textual Production | Edith Templeton | The British Library
keeps its copy in the special locked cupboard which it reserves for pornographic books: those which it rightly supposes that some members of the reading public may be moved to deface. It... |
Textual Production | Elizabeth Heyrick | One manuscript note in the British Library
copy ascribes this to Eliza Coltman (which could mean either EH
, called by her birth name, or her mother
), while another note re-ascribes it to Mr... |
Textual Production | Elizabeth Boyd | She dedicated it to her patron Lady Hertford
. The British Library
copy is 12604 ccc. 7. Harvard University
holds the only known copy of an undated set of subscription proposals, which is headed Any... |
Textual Production | Mary Delany | A stage of the work was privately and anonymously printed as A Catalogue of Plants Copyed from Nature in Paper Mosaick, finished in the year 1778, and disposed in alphabetical order, according to the generic... |
Textual Production | Mary Russell Mitford | Her papers are widely scattered. In England the British Library
, the Bodleian Library
, the John Rylands Library
, and Berkshire County Library
hold important material; so do Harvard University Library
and the Huntington Library |
Textual Production | Rachel Speght | RS
chose the same publisher as Swetnam's, which seems to indicate a perception of her debate with him as worth pushing along for doctrinal or commercial reasons. Speight, Helen. “Rachel Speght’s Polemical Life”. Huntington Library Quarterly, Vol. 65 , No. 3/4, 2002, pp. 449-63. 452 |
Textual Production | Lady Jane Lumley | LJL
's writings survive among manuscripts in the British Library
, with the shelf-marks Royal MS 15 A. i, ii, and ix. |
Textual Production | Frances Isabella Duberly | During her time in CrimeaFID
kept a diary (whose manuscript does not survive) and sent regular letters home to her sister Selina
(now British Library
Additional Manuscripts 47218). She told Selina that writing to... |
Textual Production | Elizabeth Baker | The 1930 Players
were a group organized by Inez Bensusan
, an Australian-born actress and playwright who had been instrumental in forming the Actresses' Franchise League
. Penelope Forgives was never published, but a typescript... |
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