Weiss, Rudolf. “Versions of Emancipation: The Dramatic World of Elizabeth Baker”. Sprachkunst, Vol.
20
, No. 2, pp. 305-16. 307
Connections Sort descending | Author name | Excerpt |
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Literary responses | Elizabeth Baker | The Era offered its praise: the authoress of Chains . . . has once again shown that she can write with sympathy, understanding and not a little humour, about mankind's frailties. Weiss, Rudolf. “Versions of Emancipation: The Dramatic World of Elizabeth Baker”. Sprachkunst, Vol. 20 , No. 2, pp. 305-16. 307 |
Occupation | Inez Bensusan | IB
also became involved with a new performance troupe, a Sunday Society called the 1930 Players
. This group seems to have kept up some if its earlier suffrage connections by performing such plays as... |
Performance of text | Elizabeth Baker | EB
's Penelope Forgives, a full-length play dealing with women's economic position in divorce, was performed by the 1930 Players
at the Century Theatre
in London. Weiss, Rudolf. “Versions of Emancipation: The Dramatic World of Elizabeth Baker”. Sprachkunst, Vol. 20 , No. 2, pp. 305-16. 315 Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 490 “Review of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Penelope Forgives</span> by Elizabeth Baker”. The Times, p. 10. 10 |
Textual Production | Elizabeth Baker | The 1930 Players
were a group organized by Inez Bensusan
, an Australian-born actress and playwright who had been instrumental in forming the Actresses' Franchise League
. Penelope Forgives was never published, but a typescript... |
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