Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby, 1811, 4 vols.
title-page
Connections Sort descending | Author name | Excerpt |
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Textual Production | Catherine Talbot | CT
must have written this by 1754, when George Berkeley
transcribed it with notes on making use of it for his sermons. His copy (now British Library
Additional MS 46689) is titled Meditations. It... |
Textual Production | Emma Parker | The title-page quoted Pope
's dictum that woman's a contradiction still. Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby, 1811, 4 vols. title-page qtd. in Feminist Companion Archive. |
Textual Production | Elizabeth Boyd | The British Library
copy is 161 g. 56. An advertisement says that William Rufus Chetwood
(prompter at Drury Lane
) had hoped to get it staged, but it was delayed by the author's ill-health. Again... |
Textual Production | Mary Catherine Hume | Tulk, her friend and mentor and a leading Swedenborg
ian, had died the previous year. The British Library
copy has a newspaper cutting bound in, and manuscript notes. |
Textual Production | Shelagh Delaney | Meanwhile, however, in 1963 Nottingham Playhouse
moved to new premises, and its three directors, Peter Ustinov
, John Neville
, and Frank Dunlop
, commissioned from various writers including SDa series of short sketch... |
Textual Production | Elizabeth Pipe Wolferstan | EPW
privately printed the first edition of her poem Flora & Pomona's Fête; or, The Origin of Botanical & Horticultural Meetings. A Poem After the Butterfly's Ball, in order to raise money for the... |
Textual Production | Frances O'Neill | The British Library
copy is missing two pages. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Its catalogue calls her (in 2007) Francis O'Neill, but her title-page says clearly Frances. |
Textual Production | Githa Sowerby | It ran for only nineteen performances. Fitzsimmons, Linda. “Githa Sowerby (1876-1970)”. New Woman Plays, edited by Linda Fitzsimmons and Viv Gardner, Methuen, 1991, pp. 135-7. 136 Compton, Fay. Rosemary: Some Remembrances. Alston Rivers, 1926. 157 |
Textual Production | Maria Abdy | Between 1838 and 1862 seven more volumes were privately printed, under the same title. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Sarah Grand | SG
first appeared in print with her novelTwo Dear Little Feet: a morality tale about the dangers posed to women's health by fashionable, too-tight boots. Scholars like Gillian Kersley
, Ann Heilmann
... |
Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
Textual Production | Julian of Norwich | She produced her account first in a shorter and then in a longer version. Riddy, Felicity. “Julian of Norwich and Self-Textualization”. Editing Women, edited by Ann M. Hutchison, University of Toronto Press, 1998, pp. 101-24. 103-4 |
Textual Production | Maria Edgeworth | John Gibson Lockhart
managed ME
's dealings about this book with the publisher, Bentley
: Bentley was to buy the first edition only, not the continuing copyright, and was to increase the payment if he... |
Textual Production | Bathsua Makin | It was dedicated to Queen Anne
, wife of James I (who died on 2 March this year). It seems that this was to be printed as a pamphlet; one sample sheet survives in a... |
Textual Production | Lady Margaret Sackville | LMS
also contributed to a collection issued by the Royal Society of Literature
in 1931: Essays by Divers Hands (edited by Sir Francis Younghusband
). She wrote the forewords to |
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