The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 319
Royal Opera House, Covent Garden
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | Hannah Cowley | |
| Performance of text | Hannah Cowley | Another comedy by HC
, The World as it Goes; or, A Party at Montpelier, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 411 |
| Performance of text | Oscar Wilde | The first performance was heard at Covent Garden
of the English opera written by Richard Strauss
to the text of OW
's Salome. Tydeman, William, and Steven Price. Wilde—Salome. Cambridge University Press, 1996. 185 |
| Performance of text | Hannah Cowley | HC
's comedy Which Is the Man? opened belatedly at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 496 |
| Performance of text | Charlotte Smith | CS
's only extant play, the comedy What Is She?, opened anonymously at the Theatre Royal, Covent Garden
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 400 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 289 |
| Performance of text | Hannah Cowley | HC
scored another comedy hit with A Bold Stroke for a Husband when it opened at Covent Garden
. Her title had been used as a subtitle by Sarah Gardner
for her unpublished play The... |
| Performance of text | Hannah Cowley | HC
had another opening night at Covent Garden
: the comedy More Ways Than One. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 663-4 |
| Performance of text | Hannah Cowley | HC
's comedy A School for Greybeards; or, The Mourning Bride opened at Covent Garden
. Its subtitle, confusingly, is the same as the title of William Congreve
's only tragedy, The Mourning Bride, 1697. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 934 |
| Performance of text | Hannah Cowley | HC
's generically hybrid spectacular play with music or comic opera, A Day in Turkey; or, The Russian Slaves, opened at Covent Garden
to great acclaim. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1409 Escott, Angela. The Celebrated Hannah Cowley. Pickering and Chatto, 2012. 1 |
| Performance of text | Maria Theresa Kemble | MTK
played Lady Elizabeth Freelove (opposite her husband
) in her comic interlude The Day After the Wedding; or, a Wife's First Lesson, at Covent Garden
. Feminist Companion Archive. |
| Performance of text | Hannah Cowley | HC
's last play, the comedy The Town Before You, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1709 |
| Performance of text | Catherine Gore | CG
's next play, Modern Honour; or, The Sharper in High Life, opened at Covent Garden
, only to prove her first unequivocal flop. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 9 |
| Performance of text | Joanna Baillie | Of the twenty-eight plays that JB
wrote, only seven were professionally produced. These were De Monfort,The Family Legend, Henriquez, The Separation, The Election, Constantine Paleologus, and Basil... |
| Performance of text | Catherine Gore | CG
's next play, King O'Neil; or, The Irish Brigade, opened at Covent Garden
: a spectacular comedy-drama. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 15 |
| Performance of text | Frances Brooke | FB
's tragedy The Siege of Sinope opened at Covent Garden
; it played for ten nights—a gratifyingly long run. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 381 |
Timeline
March 1841: The young Dionysius Lardner Boucicault's...
Writing climate item
March 1841
The young Dionysius Lardner Boucicault
's London Assurance was staged at Covent Garden
by Charles James Mathews
and Madame Vestris
.
Drabble, Margaret, editor. The Oxford Companion to English Literature. 5th ed., Oxford University Press, 1985.
121
Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press, 1988.
88
Mullin, Donald C. Victorian Plays: A Record of Significant Productions on the London Stage, 1837-1901. Greenwood Press, 1987.
207
1843: Parliament deregulated the London stage by...
Building item
1843
Parliament deregulated the London stage by removing the restriction which had limited the number of patent or fully licensed theatres in the capital to no more than two, Covent Garden
and Drury Lane
.
Hume, Robert D. “Jeremy Collier and the Future of the London Theatre in 1698”. British Society for Eighteenth-Century Studies (BSECS) Conference, Oxford, 3 Jan. 1998.
22 August 1843: The Theatres Regulation Act made it legal...
Writing climate item
22 August 1843
The Theatres Regulation Act made it legal for any theatre to become licensed for drama (thus expanding its repertoire) and required all new commercial plays to be approved by the Lord Chamberlain seven days before...
6 April 1847: Covent Garden Theatre re-opened (with a performance...
Building item
6 April 1847
Covent Garden Theatre
re-opened (with a performance of Rossini
's Semiramide) as The Royal Italian Opera, Covent Garden
.
Booth, Michael R. Theatre in the Victorian Age. Cambridge University Press, 1991.
27
Mander, Raymond, and Joe Mitchenson. The Theatres of London. Rupert Hart-Davis, 1963.
53, 57, 283
Wyndham, Henry Saxe. The Annals of Covent Garden Theatre From 1732 to 1897. Chatto and Windus, 1906, 2 vols.
2: 184
“AbouttheHouse: History”. Royal Opera House.
5 March 1856: Covent Garden Theatre was destroyed by f...
Building item
5 March 1856
Covent Garden Theatre
was destroyed by fire.
Wyndham, Henry Saxe. The Annals of Covent Garden Theatre From 1732 to 1897. Chatto and Windus, 1906, 2 vols.
2: 202-3
Mander, Raymond, and Joe Mitchenson. The Theatres of London. Rupert Hart-Davis, 1963.
57
15 May 1858: The third Covent Garden Theatre of the century...
Building item
15 May 1858
The third Covent Garden Theatre
of the century was opened.
Wyndham, Henry Saxe. The Annals of Covent Garden Theatre From 1732 to 1897. Chatto and Windus, 1906, 2 vols.
2: 220-2
Mander, Raymond, and Joe Mitchenson. The Theatres of London. Rupert Hart-Davis, 1963.
57
1889-1893: Augustus Harris rented Covent Garden opera...
Building item
1889-1893
Augustus Harris
rented Covent Garden
opera house, where he instigated many changes. Most notably, French and German operas were performed in their original language for the first time at that venue.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
92
Nettel, Reginald. The Orchestra in England: A Social History. Jonathan Cape, 1956.
183
23 June 1897: A state performance was held at Covent Garden's...
Building item
23 June 1897
A state performance was held at Covent Garden's Royal Opera House
in honour of Queen Victoria
's Diamond Jubilee. The programme included Tannhäuser, Romeo et Juliette and Les Huguenots.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
96
1904: Leading conductor Dr Hans Richter promoted...
Building item
1904
Leading conductor Dr Hans Richter
promoted the works of composer Edward Elgar
by forming the Elgar Festival
at Covent Garden
.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
94
Nettel, Reginald. The Orchestra in England: A Social History. Jonathan Cape, 1956.
190
1 October-31 December 1909: Conductor Thomas Beecham established the...
Building item
1 October-31 December 1909
Conductor Thomas Beecham
established the Beecham Symphony Orchestra
. They performed in the Thomas Beecham Grand Opera Season at the Royal Opera House, Covent Garden.
Ford, Boris, editor. The Cambridge Guide to the Arts in Britain. Vol. 9 vols, Cambridge University Press, 1988–2024.
8: 339
19 February 1910: The opera Elektra by Richard Strauss was...
Building item
19 February 1910
The opera Elektra by Richard Strauss
was first performed in London: at Covent Garden
, conducted by Thomas Beecham
.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
105
22 February 1910: English composer Frederick Delius's opera...
Building item
22 February 1910
English composer Frederick Delius
's opera A Village Romeo and Juliet had its British premiere at Covent Garden
, London.
Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century, 1992.
344
Ford, Boris, editor. The Cambridge Guide to the Arts in Britain. Vol. 9 vols, Cambridge University Press, 1988–2024.
8: 336
6 March 1911: The Ballets Russes gave the final performance...
Building item
6 March 1911
The Ballets RussesSergei Pavlovich Diaghilev
gave the final performance of their first season (which included Le Dieu Bleu, L'Oiseau de Feu, L'Après-Midi d'un Faune, and Prince Igor) at Covent Garden Opera House
, in London.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
107
May 1912: A group of women singers including Sarah...
Building item
May 1912
A group of women singers including Sarah Bernhardt
, Mrs Patrick Campbell
, Clara Butt
, and Anna Pavlova
rallied together for a single performance in aid of the Titanic Disaster Fund at Covent Garden.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
108
7 October 1932: Sir Thomas Beecham conducted his newly-formed...
Building item
7 October 1932
Sir Thomas Beecham
conducted his newly-formed London Philharmonic Orchestra
in its first performance.
Ford, Boris, editor. The Cambridge Guide to the Arts in Britain. Vol. 9 vols, Cambridge University Press, 1988–2024.
8: 339
Nettel, Reginald. The Orchestra in England: A Social History. Jonathan Cape, 1956.
239
Texts
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