Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby, 1995.
78
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Caroline Norton | CN
tried a new genre with a play, The Gypsy Father, which opened on this date at Covent Garden Theatre
; it was not a success with the audience and seems not to have been printed. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby, 1995. 78 |
Performance of text | Hannah Cowley | HC
had her first great hit when her comedy The Belle's Stratagem opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 319 |
Performance of text | Oscar Wilde | The first performance was heard at Covent Garden
of the English opera written by Richard Strauss
to the text of OW
's Salome. Tydeman, William, and Steven Price. Wilde—Salome. Cambridge University Press, 1996. 185 |
Performance of text | Hannah Cowley | Another comedy by HC
, The World as it Goes; or, A Party at Montpelier, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 411 |
Performance of text | Charlotte Smith | CS
's only extant play, the comedy What Is She?, opened anonymously at the Theatre Royal, Covent Garden
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 400 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 289 |
Performance of text | Hannah Cowley | HC
's comedy Which Is the Man? opened belatedly at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 496 |
Performance of text | Hannah Cowley | HC
scored another comedy hit with A Bold Stroke for a Husband when it opened at Covent Garden
. Her title had been used as a subtitle by Sarah Gardner
for her unpublished play The... |
Performance of text | Hannah Cowley | HC
had another opening night at Covent Garden
: the comedy More Ways Than One. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 663-4 |
Performance of text | Hannah Cowley | HC
's comedy A School for Greybeards; or, The Mourning Bride opened at Covent Garden
. Its subtitle, confusingly, is the same as the title of William Congreve
's only tragedy, The Mourning Bride, 1697. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 934 |
Performance of text | Maria Theresa Kemble | MTK
played Lady Elizabeth Freelove (opposite her husband
) in her comic interlude The Day After the Wedding; or, a Wife's First Lesson, at Covent Garden
. Feminist Companion Archive. |
Performance of text | Hannah Cowley | HC
's generically hybrid spectacular play with music or comic opera, A Day in Turkey; or, The Russian Slaves, opened at Covent Garden
to great acclaim. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1409 Escott, Angela. The Celebrated Hannah Cowley. Pickering and Chatto, 2012. 1 |
Publishing | Sophia Lee | |
Publishing | Hannah Cowley | It was badly presented, by two of the cast in particular. Escott, Angela, and Isobel Grundy. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy. 24 Oct. 2002. |
Publishing | Isabel Hill | Through his connections, Benson Hill had the play presented to Covent Garden Theatre
. Though the management chose not to produce the play, they provided IH
with a long letter full of encouragement and constructive... |
Publishing | Mary Russell Mitford | From August 1823 MRM
was planning a grand historical tragedy on the greatest subject in English story—Charles and Cromwell. qtd. in Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 2: 16 |
No bibliographical results available.