Tydeman, William, and Steven Price. Wilde—Salome. Cambridge University Press.
185
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Sarah Scudgell Wilkinson | The White Pilgrim; or, Castle of Olival, published, with SSW
's name, as translated from the popular French novel, Le Pelerin Blanc (by René-Charles Guilbert de Pixérécourt
), no doubt stemmed in actuality from... |
Performance of text | Oscar Wilde | The first performance was heard at Covent Garden
of the English opera written by Richard Strauss
to the text of OW
's Salome. Tydeman, William, and Steven Price. Wilde—Salome. Cambridge University Press. 185 |
Performance of text | Charlotte Smith | CS
's only extant play, the comedy What Is She?, opened anonymously at the Theatre Royal, Covent Garden
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 400 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 289 |
Family and Intimate relationships | Susanna Haswell Rowson | Susanna Haswell
married William Rowson
. He was a musician (playing the trumpet for the Royal Horse Guards
) and sometimes an actor with Covent Garden Theatre
, as well as dealing in hardware. He... |
Publishing | Emma Robinson | |
Residence | Christabel Pankhurst | CP
marked her return from Paris with a triumphal appearance at Covent Garden Opera House
in London. Winslow, Barbara, and Sheila Rowbotham. Sylvia Pankhurst: Sexual Politics and Political Activism. UCL Press. 76-7 |
Reception | George Orwell | This book too has achieved iconic status. It is probably more responsible than Animal Farm for the establishment of the adjective Orwellian in the English language to signify much that Orwell particularly detested and attacked... |
Performance of text | Caroline Norton | CN
tried a new genre with a play, The Gypsy Father, which opened on this date at Covent Garden Theatre
; it was not a success with the audience and seems not to have been printed. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby. 78 |
Performance of text | Mary Russell Mitford | MRM
's Julian (a five-act verse tragedy) had the first of its eight performances at Covent Garden
. Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 116: 194 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Performance of text | Mary Russell Mitford | MRM
's five-act verse tragedy Foscari had the first of its fifteen performances at Covent Garden
. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Publishing | Mary Russell Mitford | From August 1823 MRM
was planning a grand historical tragedy on the greatest subject in English story—Charles and Cromwell. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 16 |
Literary responses | Claire Luckham | Patrick Sandford
, who directed the first production, found exciting challenges in the play's shift in register from the stylised high comedy of the stage of Covent Garden
, to the raw sometimes violent naturalism... |
Employer | Andrea Levy | During her early, drifting years AL
worked designing woven textiles, but realised in about ten minutes that designing was not for her. Levy, Andrea. “Back to my Own Country”. British Library Windrush Stories. |
Performance of text | Charlotte Lennox | CL
's comedy The Sister was disastrously staged at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 4: 1386 Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. |
Family and Intimate relationships | Sophia Lee | SL
's father, John Lee
, was a quarrelsome and impecunious actor. The year of her birth he acted at Richmond and Covent Garden
, with an interim desertion to Drury Lane
, where, however... |
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