Stéphanie-Félicité de Genlis
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Standard Name: Genlis, Stéphanie-Félicité de
Birth Name: Caroline Stéphanie Félicité Ducrest
Married Name: Caroline Stéphanie Félicité de Genlis
Titled: Caroline Stéphanie Félicité, comtesse de Genlis
Used Form: Stephanie-Felicite de Genlis
Used Form: Stéphanie-Félicité de Genlis, Countess of Genlis and Marchioness
of Sillery
SFG
, French aristocrat, royal mistress, and later a political refugee in England, made her mark as an educational theorist and writer for children (plays, stories, and good advice) during the decade leading up to the French Revolution. She also published adult novels, romances, and an autobiography. In England at least it was her writing for children that was admired and influential.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Hannah More | HM
sent a copy to Stéphanie-Félicité de Genlis
, from whose bible plays, as she acknowledged in the accompanying letter, she had taken her generic idea. Dow, Gillian. “The British Reception of Madame de Genlis’s Writings for Children: Plays and Tales of Instruction and Delight”. Journal for Eighteenth-Century Studies, Vol. 29 , No. 3, 2006, pp. 367-81. 375 |
Intertextuality and Influence | Barbara Hofland | |
Intertextuality and Influence | Charlotte Nooth | CN
refers to several canonical English names (Pope
, Reynolds
, Garrick
, Shakespeare
, and Edmund Kean
in her first poem), and relates closely to continental women. She praises Germaine de Staël
for... |
Intertextuality and Influence | Mary Martha Sherwood | MMS
began making up stories in her sixth year, but wrote later, what they were I have not the least idea. I was too young to write them down; but when I had thought of... |
Intertextuality and Influence | Maria Edgeworth | The appearance of a rival translation (by some Ladies, unidentified, who had turned their polite accomplishments into earning skills as a result of falling into comparative poverty from ease and opulence) pre-empted publication... |
Intertextuality and Influence | Mary Martha Sherwood | She began it in connection with the writing game shared with her sister: the exchange of letters in the voice of French characters, modelled on those of Stéphanie-Félicité de Genlis
in Adelaide and Theodore; or... |
Intertextuality and Influence | Anne Bannerman | |
Intertextuality and Influence | Mary Anne Schimmelpenninck | |
Intertextuality and Influence | Anne Marsh | A subsidiary drama builds around the efforts of Inez to be allowed to nurse her delirious husband. The surgeon rejects her help, but she gets the nurse, Mrs Crane (who is forty-five, masculine-looking, strongminded, kind-hearted... |
Intertextuality and Influence | Anna Letitia Barbauld | She also wrote for school performance two short plays of slily political import, perhaps after reading Genlis
's Théâtre à l'usage des jeunes personnes, 1780. She must have enjoyed dramatic writing, since after seeing... |
Intertextuality and Influence | Anna Letitia Barbauld | The title echoes Les Veillées du Chateau by Genlis
, transposed for middle-class rather than upper-class children. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 324 |
Intertextuality and Influence | Clara Reeve | In this ground-breaking study CR
provides the first full critical and historical account of the modern novel form (the one most used by women writers), and defends the genre of romance against its many attackers... |
Literary responses | Mary Charlton | This novel, although it seems not to have been remembered in the course of MC
's later career, received three lengthy reviews in serious periodicals. William Enfield
in the Monthly, quoted above, said he... |
Occupation | Frances Arabella Rowden | Girls at the school were taken on alternate Sundays to the chapel at the British embassy and to the French Protestant L'Eglise de l'Oratoire. Afterwards they were required to write down from memory the... |
Performance of text | Elizabeth Inchbald | EI
's The Child of Nature, an adaptation of de Genlis
written in ten days, opened. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1114 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 36 |
Timeline
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Texts
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