Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Mary Tighe | When Thomas Moore
read Psyche he expressed his pleasure to MT
in a short lyric which calls her by the name of her protagonist, Psyche; at her death he eulogised her by the same... |
Literary responses | Katharine Tynan | Colm O Lochlainn
in Anglo-Irish Song-writers since Moore, 1950, praised KT
's words as the sweetest in English to the Derry Air (a melody also known as the Londonderry Air, or, from other... |
politics | Margaret Fell | This approach to the newly-restored monarch was a vital tactical move for the Quakers, who had been persecuted in the last years of the Interregnum. George Fox
was still in prison; MF
went to London... |
Publishing | Marguerite Gardiner, Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 7 |
Publishing | Sydney Owenson, Lady Morgan | Following her well-publicised battles first with Colburn
and then with Saunders and Otley
, Morgan got Thomas Moore
to sound out John Murray
about taking her on. She had a plan to follow her Life... |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Features | Caroline Norton | The Rebel, spoken by an imprisoned Irish harper who weep[s,] to think upon my country's chain, suggests both a sympathy with the cause of Ireland and the influence of CN
's friend Thomas Moore |
Textual Features | Barbarina Brand, Baroness Dacre | An epilogue by Thomas Moore
sounds flippantly critical of Bluestockings (not the historical group of this name, but in the more general sense of intellectual women). A speaker appears wondering much what little knavish sprite... |
Textual Production | Henrietta Battier | Not all HB
's satires and lampoons reached print. Thomas Moore
, who records that she published for the sake of much-needed cash, also mentions some impromptu lines on his own performance in a university... |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Textual Production | Eleanor Farjeon | |
Textual Production | Mary Tighe | MT
set her face against open publication, partly because of the reviewers' ostentatious moral panic over mildly erotic poems by Thomas Moore
, and over ladies associated with him (as she was by virtue of... |
Textual Production | Mary Ann Browne | She quotes L. E. L.
on her title page, and dedicates her work (these early efforts of my timid Muse) Browne, Mary Ann. Mont Blanc. Hatchard and Son. v |
Textual Production | Mary Tighe | Henry Moore copied poems into a manuscript album which he titled Poems HM 1811 (now at Chawton House Library
). The first 66 pages are occupied by MT
's work, at the end of which... |
Textual Production | Constantia Grierson | Copies of Thomas Moore
's Odes of Anacreon (first published in 1800) were issued with a single-sheet printing of The Art of Printing (a poem ascribed to CG
) laid in. English Short Title Catalogue. http://estc.bl.uk/. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 96 |
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