William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Author name Sort ascending Excerpt
Intertextuality and Influence Mary Webb
The title refers primarily to a legend about a wand of palm (the country name for willow) which brings good luck if it is found on Palm Sunday (when, traditionally, English people carried branches of...
Intertextuality and Influence Mary Webb
As a child Mary Meredith (later MW ) wrote stories for her younger brothers and sisters. She first had her writing published after the family moved to Stanton-on-Hine Heath, in the parish magazine.
Davies, Linda. Mary Webb Country. Palmers Press.
4
Education Harriet Shaw Weaver
HSW 's family encouraged her in the regular pursuits of a young, middle-class Victorian woman. From her father she inherited an enthusiasm for poetry—she especially liked Shakespeare , Coleridge , and Whitman —and she read...
Literary responses Mercy Otis Warren
Her biographer, Katharine Anthony , finds her plays influenced by the classic models of Molière and Shakespeare ; astonishingly confident, if sometimes crass, in their satirical realism; and written with feeling as well as thought.
Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press.
82-3
Textual Production Marina Warner
MW published her retelling of Shakespeare 's play The Tempest: a historical novel, Indigo; or, Mapping the Waters.
Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research.
194: 286-7
Literary responses Marina Warner
This book has proved fruitful and positive, generating many reviews and substantial scholarly articles, written from several perspectives. These include its focus on the untold story of the women in Shakespeare 's Tempest, and...
Textual Production Marina Warner
MW 's W. D. Thomas Memorial Lecture given at the University of Wales , Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera...
Intertextuality and Influence Mary Augusta Ward
It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country
Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin.
86
whose landscape has a profound effect in the narrative. Alan Helbeck, of an old Catholic family...
Intertextuality and Influence Michelene Wandor
The four characters, who meet periodically, chat, complain, and reminisce. They also rehearse as the witches in Shakespeare 's Macbeth. They dance, they backchat. To a happy retirement, Katie. . . . To gravetime...
Literary Setting Michelene Wandor
The writing here mixes love poetry with the evocation of historical periods (the Renaissance, the time of Shakespeare ) and milieus (the various displacements of the Jews around Europe). Her re-envisioning of Esther involves MW
Textual Production Michelene Wandor
This poem sequence has been performed to music by Henry Purcell and John Hingeston . The other works in the sequence were York, a poem-libretto commemorating a massacre of Jews in York in 1190...
Intertextuality and Influence Michelene Wandor
It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine?
Wandor, Michelene. The Music of the Prophets. Arc Publications.
34
In tracing the story to before the Act...
Intertextuality and Influence Eglinton Wallace
The Address explains how EW set out with the lofty and pleasurable intention of aiding the poor in the Isle of Thanet, how the playhouse was all set to open to a capacity audience...
Textual Production Eglinton Wallace
The title-page reads: The Conduct of the King of Prussia and General Dumouriez, Investigated by Lady Wallace. An epigraph quotes Shakespeare 's Othello: Nothing extenuate nor set down aught in malice.
Wallace, Eglinton. The Conduct of the King of Prussia and General Dumouriez. J. Debrett.
title-page
She...
Education Alice Walker
On her own the child AW was always reading. At eight she identified in someone else's house a photograph of Booker T. Washington —and asked, Why don't you give it to me, please?
White, Evelyn. Alice Walker. A Life. Norton.
31
After...

Timeline

About March 1681: Nahum Tate's re-written version of Shakespeare's...

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About March 1681

Nahum Tate 's re-written version of Shakespeare 's tragedyKing Lear was staged in London; it was printed the same year.

1702: An Act to Oblige Jews to Maintain and Provide...

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1702

An Act to Oblige Jews to Maintain and Provide for their Protestant Children forbade Jewish fathers from disinheriting daughters who (like Jessica in William ShakespeareThe Merchant of Venice) converted to Christianity.
Kerrigan, John. “Fathers Who Live Too Long”. London Review of Books, Vol.
35
, No. 17, pp. 18-19.
18

20 May 1707: Jacob Tonson the elder signed the first of...

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20 May 1707

Jacob Tonson the elder signed the first of two copyright agreements giving him sole right in Shakespeare 's plays.

10 April 1710: An Act for the Encouragement of Learning...

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10 April 1710

An Act for the Encouragement of Learning (later called the Copyright Act), passed in 1709, became effective.

6 December 1718: Nicholas Rowe, playwright, translator, and...

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6 December 1718

Nicholas Rowe , playwright, translator, and editor of Shakespeare , died after four years in the post of Poet Laureate.

2 July 1737: The Opposition paper The Craftsman published...

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2 July 1737

The Opposition paper The Craftsman published excerpts from Shakespeare 's King John which were designed to reflect obloquy on the conduct of George II .

Late 1737 to spring 1738: A group of women calling themselves Shakespeare's...

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Late 1737 to spring 1738

A group of women calling themselves Shakespeare 's Ladies persuaded the two licensed playhouses in London to stage many of Shakespeare 's long-neglected plays.

By February 1741: A monument was erected by subscription to...

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By February 1741

A monument was erected by subscription to the memory of Shakespeare in Poets' Corner, Westminster Abbey.

1767: At auctions of copyright, Richardson's Clarissa...

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1767

At auctions of copyright, Richardson 's Clarissa was valued at £600, but Addison and Steele 's Spectator at £1,300, Shakespeare at £1,800, and Pope at £4,400.

14 October 1769: Garrick's afterpiece The Jubilee opened at...

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14 October 1769

Garrick 's afterpieceThe Jubilee opened at Drury Lane , where it enjoyed the record run of the century: ninety performances in one season.

20 June 1787: Actor John Palmer briefly opened the first...

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20 June 1787

Actor John Palmer briefly opened the first new London theatre since 1732: the Royalty in Well Street.

By 1 May 1789: John Boydell opened his Shakespeare Gallery,...

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By 1 May 1789

John Boydell opened his Shakespeare Gallery , an exhibition of British artists' renderings of scenes from Shakespeare .

29 November 1790: Edmond Malone, who in 1778 had published...

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29 November 1790

Edmond Malone , who in 1778 had published the first serious attempt at a date order for Shakespeare's plays, followed that with his immensely learned edition of Shakespeare , which set the standards for later scholarship.

2 April 1796: Vortigern and Rowena, allegedly a newly-discovered...

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2 April 1796

Vortigern and Rowena, allegedly a newly-discovered tragedy by Shakespeare but actually written by William Henry Ireland , opened under Richard Brinsley Sheridan 's management at Drury Lane .

November 1802: Thomas Holcroft's "A Tale of Mystery", produced...

Building item

November 1802

Thomas Holcroft 's "A Tale of Mystery", produced at Covent Garden , formally introduced melodrama to the English stage.

Texts

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