Katharine Susan Anthony

Standard Name: Anthony, Katharine Susan
Used Form: Katharine Anthony

Connections

Connections Sort descending Author name Excerpt
Literary responses Mercy Otis Warren
Biographer Katharine Anthony judges this to be MOW 's finest play.
Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press, 1972.
112
Literary responses Mercy Otis Warren
Her biographer, Katharine Anthony , finds her plays influenced by the classic models of Molière and Shakespeare ; astonishingly confident, if sometimes crass, in their satirical realism; and written with feeling as well as thought.
Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press, 1972.
82-3
Literary responses Mercy Otis Warren
Her biographer calls it dull.
Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press, 1972.
157
Publishing Mercy Otis Warren
The Defeat, which came out in two instalments in the Boston Gazette the next year, is, according to biographer Katharine Anthony , much simpler and more literal in language, imagery, and subject matter than...
Textual Features Mercy Otis Warren
An Advertisement pretends to complain that the important business of entertainment is currently being inconveniently interrupted by politics. Its irony, however, is contradicted by a prologue quoting Pope on the use of satire as an...
Textual Production Mercy Otis Warren
The three-act satire on the Sans Souci Club and on Boston social life in general, entitled Sans Souci, alias Free and Easy (1785), is unmentioned by Anthony but is attributed to MOW in standard library...
Textual Production Mercy Otis Warren
MOW was probably writing poems as early as she was writing drama. Her collected volume of Poems, Dramatic and Miscellaneous, 1790, shows that she was composing poetry well before the Revolution. She dates a...

Timeline

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Texts

Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press, 1972.