Forster, Margaret. Daphne du Maurier. Chatto and Windus.
389
Connections Sort descending | Author name | Excerpt |
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Textual Production | Daphne Du Maurier | DDM
published a biographical study: Golden Lads: A Study of Anthony Bacon
, Francis
and Their Friends (whose title comes from the dirge for Fedele in Shakespeare
's Cymbeline). Forster, Margaret. Daphne du Maurier. Chatto and Windus. 389 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 3835 (12 September 1975): 1014 |
Textual Production | Ethel Wilson | |
Textual Production | Flora Annie Steel | FAS
wrote an adaptation of Shakespeare
's A Midsummer Night's Dream (or more probably of part of it) to be acted by her younger grandson and the young Henry John
. Her biographer Violet Powell... |
Textual Production | Lucy Walford | In Recollections of a Scottish Novelist, LW
records her early love of literature. The books she read as a child, especially at the age of seven—including Charlotte Yonge
's The Little Duke, works... |
Textual Production | Sophia King | |
Textual Production | Anna Akhmatova | During the years that followed, her writing was sporadic and without hope of reaching print. In 1933 she was translating Shakespeare
's Macbeth, bearing in mind how relevant to her present life was its... |
Textual Production | Elinor Mordaunt | The title, quoted from Shakespeare
's Ophelia, hints at madness as well as remembering. |
Textual Production | Gertrude Bell | GB
published her fourth travel book, Amurath to Amurath, which she copiously illustrated with her own photographs, Howell, Georgina. Daughter of the Desert: the Remarkable Life of Gertrude Bell. Macmillan. 132 The title comes from Shakespeare
's Henry V contrasting his accession... |
Textual Production | Judith Cowper Madan | This is apparently a revised and expanded version of the text from early 1721 which Ashley Cowper
copied in 1747 into The Family Miscellany. This first printing adds an extra forty lines, and several... |
Textual Production | E. Nesbit | EN
's career as a children's writer began in a very small way, with poems and stories to be included in greetings cards or little gift booklets. She and Alice Hoatson
were employed by Robert Ellis Mack |
Textual Production | Gertrude Stein | At the age of eight, GS
tried to write a Shakespeare
an drama. She abandoned this project, however, for the less demanding melodrama, Snatched from Death; or, The Sundered Sisters. Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley. 11 |
Textual Production | Geraldine Jewsbury | Although she disapproved of The Mill on the Floss, GJ
praised George Eliot
's Adam Bede for its genius and also liked Silas Marner for its depictions of human nature, however humbly embodied it... |
Textual Production | Elizabeth Ogilvy Benger | Benger wrote an impromptu poem in the presence of one W. J. S., A Lament: on the Paucity of Information Respecting the Life and Character of Shakespeare—a fitting subject for a biographer. Notes and Queries. Oxford University Press. 2nd ser. (1861) xi: 384 |
Textual Production | E. Nesbit | This by no means exhausts the list of EN
's writings for children. The first number of The Enchanted Castle (which is less episodic, perhaps less brilliant, and more socially critical than the Phoenix or... |
Textual Production | Laura Riding | LR
published A Trojan Ending, her novel about Cressida, the Greek heroine of Chaucer
, Robert Henryson
, and Shakespeare
. Friedmann, Elizabeth. A Mannered Grace. Persea Books. 296 Wexler, Joyce Piell. Laura Riding: A Bibliography. Garland. 60 |
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