Forster, Margaret. Daphne du Maurier. Chatto and Windus.
389
Connections Sort descending | Author name | Excerpt |
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Textual Production | Louise Page | LP
's Like to Live, also 1991, is set during the invisible years which Hermione, the middle-aged, falsely accused queen of Shakespeare
's The Winter's Tale, spends hidden and believed dead. Like to... |
Textual Production | Daphne Du Maurier | DDM
published a biographical study: Golden Lads: A Study of Anthony Bacon
, Francis
and Their Friends (whose title comes from the dirge for Fedele in Shakespeare
's Cymbeline). Forster, Margaret. Daphne du Maurier. Chatto and Windus. 389 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 3835 (12 September 1975): 1014 |
Textual Production | Sophia King | SK
's subscribers included J. Fortnum
, Esq. (perhaps her father-in-law), and many from the nobility, including the Duchess of Devonshire
and her husband
, the Duchess of Rutland
, and Lord Melbourne
(father-in-law of... |
Textual Production | Anna Maria Hall | AMH
published her novel Midsummer Eve: A Fairy Tale of Love, bearing the date 1848. The novel's title and cast of fairies suggest that the work was inspired by Shakespeare
's A Midsummer Night's Dream The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe. ix, 11 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Michelene Wandor | This poem sequence has been performed to music by Henry Purcell
and John Hingeston
. The other works in the sequence were York, a poem-libretto commemorating a massacre of Jews in York in 1190... |
Textual Production | Elinor Mordaunt | The title, quoted from Shakespeare
's Ophelia, hints at madness as well as remembering. |
Textual Production | Mollie Panter-Downes | MPD
first intended to call this book The Vanished House, as if one casualty of the war was the once ordered and modestly luxurious middle-class family house which, however, had needed a staff of... |
Textual Production | Anna Akhmatova | During the years that followed, her writing was sporadic and without hope of reaching print. In 1933 she was translating Shakespeare
's Macbeth, bearing in mind how relevant to her present life was its... |
Textual Production | Judith Cowper Madan | This is apparently a revised and expanded version of the text from early 1721 which Ashley Cowper
copied in 1747 into The Family Miscellany. This first printing adds an extra forty lines, and several... |
Textual Production | Sophia King | |
Textual Production | Charlotte Maria Tucker | Her pupils (all boys) were said to love the songs and plays she wrote for them. One of the plays was The Bee and the Butterfly; one of the songs went What is it... |
Textual Production | Gertrude Bell | GB
published her fourth travel book, Amurath to Amurath, which she copiously illustrated with her own photographs, Howell, Georgina. Daughter of the Desert: the Remarkable Life of Gertrude Bell. Macmillan. 132 The title comes from Shakespeare
's Henry V contrasting his accession... |
Textual Production | Christopher St John | After Terry's death in 1928, St John engaged in literary as well as theatrical memorial work of various kinds. She edited Ellen Terry and Bernard Shaw
: a Correspondence, 1931, edited and provided an... |
Textual Production | Geraldine Jewsbury | Although she disapproved of The Mill on the Floss, GJ
praised George Eliot
's Adam Bede for its genius and also liked Silas Marner for its depictions of human nature, however humbly embodied it... |
Textual Production | George Bernard Shaw | The play was published in 1901, with a preface titled BETTER THAN SHAKESPEARE
? |
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