Friedmann, Elizabeth. A Mannered Grace. Persea Books.
296
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Laura Riding | LR
published A Trojan Ending, her novel about Cressida, the Greek heroine of Chaucer
, Robert Henryson
, and Shakespeare
. Friedmann, Elizabeth. A Mannered Grace. Persea Books. 296 Wexler, Joyce Piell. Laura Riding: A Bibliography. Garland. 60 |
Textual Production | Gertrude Stein | Carl Van Vechten
edited and selected the texts to provide a sample of the various styles and periods of GS
's writings. He puts her in the same category as Joyce
, Eliot
, and... |
Textual Production | Ngaio Marsh | She collaborated with her old friend the actor Jonathan Elsom
on a one-man vehicle for him entitled Sweet Mr. Shakespeare, incorporating a mixture of biography, anecdotes, sonnets and speeches. Lewis, Margaret. Ngaio Marsh: A Life. Chatto & Windus. 232 |
Textual Production | Charlotte Lennox | James Boswell
drafted for CLProposals for Publishing a New and Improved Edition of Shakspeare
Illustrated; this edition was never completed. Carlile, Susan. Charlotte Lennox. An Independent Mind. University of Toronto Press. 338 Isles, Duncan. “The Lennox Collection (Concluded)”. Harvard Library Bulletin, Vol. 19 , No. 4, pp. 416-35. 421 |
Textual Production | Gladys Henrietta Schütze | GHS
worked with her husband
on a translation of Ferdinand Bruckner
's Rassen, which she describes as a Jewish William ShakespeareRomeo and Juliet. They found the work a rush (it had to be ready... |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | Jan Morris | JM
published (and titled from Shakespeare
's Hamlet) In My Mind's Eye: A Thought Diary, which takes her through a year of commentary on herself and the world around her. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Mary Boyle | In the Advertisement prefacing her work, MB
professes that this is at best but a feeble attempt to illustrate a favourite subject. Boyle, Mary. The Bridal of Melcha. Henry Colburn. prelims |
Textual Production | Carol Ann Duffy | |
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins. 12 |
Textual Production | W. H. Auden | The title comes from a Shakespeare
an sonnet where the speaker says his nature is subdued/ To what it works in, like the dyer's hand. In his foreword WHA
expresses resigned regret that poets make... |
Textual Production | Eliza Cook | On Shakespeare
's presumed three hundredth birthday, a Working Men's Shakspeare [sic] Celebration was held, at which Henry Marston
spoke a Tercentenary Ode written for the occasion by EC
. Cook, Eliza. The Poetical Works of Eliza Cook. F. Warne. 586 |
Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
Textual Production | Mary Robinson | From The WorldMR
moved on to a rival periodical, The Oracle, to which she contributed fairy poems as Oberon—a name which perhaps owes something to Frances Greville
's famous Ode to Indifference... |
Textual Production | Lady Colin Campbell | The title draws on Shakespeare
's exiled duke in As You Like It, who says retirement in the forest will supply books in the running brooks. (II. i, 17) The collection deals partly with... |
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