Stouck, David. Ethel Wilson: A Critical Biography. University of Toronto Press, 2003.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Ethel Wilson | Through parties hosted by her eventual publisher, the Macmillan Company
, EW
also met Morley Callaghan
, who admired her writing. Other writers she knew included John Gray
, A. J. M. Smith
, Robert Weaver |
Literary responses | Ethel Wilson | The reviews appeared in the month of publication. On 21 August William Arthur Deacon
at the Globe and Mail, finally won over, wrote that in contrast to EW
's other work, Swamp Angel was... |
Publishing | Ethel Wilson | |
Publishing | Ethel Wilson | |
Publishing | Ethel Wilson | The early manuscript of Miss Cuppy departs from EW
's work significantly, as it is written in the first person. Ellen Cuppy explicitly announces her intention to write a book. After considering the problem of... |
Publishing | Ethel Wilson | |
Publishing | Ethel Wilson | |
Reception | Ethel Wilson | John Gray
attempted to persuade the New York division of Macmillan
to publish the two novellas together in an American edition, but the company thought that two novellas had even less of a market than... |
Reception | Ethel Wilson | Despite her evident passion regarding the material, John Gray
wrote to EW
on 30 April 1957 to say that The Vat and the Brew was not publishable. He noted that the characters were impossible to... |
Textual Production | Ethel Wilson | EW
sent John Gray
the first two chapters of this story and an outline in July 1950. The published story remained true to the outine with the exception of one significant detail in which Eleanor... |
Textual Production | Ethel Wilson | EW
first mentioned the story in a letter to John Gray
in December, 1951. At this point she called the story Country Manners. Another early version entitled Sweet Influence Doth Impart remained part of... |
Textual Production | Ethel Wilson | In a letter of 25 July 1953 to editor John Gray
, EW
sounded characteristically uneasy about the worth of the new manuscript. First, she expressed some anxiety about the scope of her themes, reflecting... |
Textual Production | Ethel Wilson | In addition to matters of love and relationships, Love and Salt Water explicitly engages with ethical and philosophical issues. EW
downplayed its depth, calling it a temperate affair like the water and climate of our... |
Textual Production | Ethel Wilson | |
Textual Production | Ethel Wilson |
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