Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | George Douglas | People in Cherry Garth think Denis strange and unladylike; Celia dissembles her jealousy, but does not forgive; Denis's only sympathiser is the Jewish farmer Octave Von Donop, a close friend of Tom's and another avowed... |
Intertextuality and Influence | L. M. Montgomery | Her writing, like Emily's, was profoundly influenced by nineteenth-century English writers and poets. LMM
named Hemans
and Byron
in personal letters; Emily cites Tennyson
and Wordsworth
. Gillen, Mollie. The Wheel of Things. Fitzhenry and Whiteside, 1975. 149, 161 |
Intertextuality and Influence | Christina Rossetti | Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson
and Wordsworth
; she also acknowledged the impact of Gray
and Crabbe
, and wrote several poems inspired... |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Isa Blagden | A Model and a Wife has a principal cast of three: John Herbert, a solitary English painter living in Rome in ill health; Nell Spencer, a young English heiress (once an abandoned orphan in India... |
Intertextuality and Influence | Charlotte Guest | One of CG
's admirers was Tennyson
, who was soon to become Poet Laureate. He re-told one of her tales in Idylls of the King. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Anne Marsh | Edmund, narrator of this novel, is another old man: cautious, hierarchically minded, yet remembering his past as a young radical. He fell in love with Clarice de Vere —whose name recalls Tennyson
's Lady Clara... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Patricia Wentworth | Though the Feminist Companion says that Miss Silver is a character [i]n the mould of Agatha Christie
's Miss Marple, she actually predates Miss Marple by two years. She is a former governess who now... |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Patricia Wentworth | This classic story opens with Rachel Treherne, unmarried and in her thirties, coming in a state of acute anxiety to consult Miss Silver at the latter's home, which is also her office. Rachel's colouring should... |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | Frances Cornford | Cornford dedicated the book to the memory of her old friend and mentor, Cornford, Frances. Collected Poems. Cresset Press, 1954. 5 |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
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