Women’s Writing in the British Isles from the Beginnings to the Present
Augusta Webster
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Standard Name: Webster, Augusta
Birth Name: Julia Augusta Davies
Married Name: Julia Augusta Webster
Pseudonym: Cecil Home
AW
wrote poetry, two novels (one for children), drama, and journalism, including book reviews and criticism, in the latter part of the nineteenth century. Despite her translations from and imaginative interpretations of classical literature, her poetic voice is very much of the Victorian period in its fascination with the dramatic. In her eight volumes of original poetry she experimented with form, achieving particular power and originality with the dramatic monologue. One of her four plays was staged, and some of her columns on social, political, and literary issues were collected into a volume. Her high reputation as a poet in her own day soon faded after her death, but she has recently experienced a critical revival based on her more politically charged and feminist works.
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Mary Catherine's Scottish father, Joseph Hume
, was a Radical Member of Parliament, who sat indefatigably on committees and held other positions such as Lord Rector of Aberdeen University
. In parliament he reportedly spoke...
Friends, Associates
Mathilde Blind
One of her travelling companions (and a close friend) was the New Woman novelist Mona Caird
(famous for her declaration calling the institution of marriage a vexatious failure in the Westminster Review in 1888).
Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research, 1999.
The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant...
Intertextuality and Influence
Elizabeth Barrett Browning
American poet Emily Dickinson
loved EBB
's poetry. The language of Aurora Leigh crops up throughout her oeuvre, and she recalls the transformative experience, sanctifying the soul, of her early reading in one poem: I...
Intertextuality and Influence
Lady Charlotte Elliot
The Pythoness (carried forward for reprinting in LCE
's later volumes) details the central character's distress at being a prophet and an instrument of the gods.
Blain, Virginia, Patricia Clements, and Isobel Grundy, editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990.
This dramatic monologue interestingly explores the quandary of a...
The treatment of Lady Grace in verse drama form to comment on the situation of contemporary women suggests the influence of Augusta Webster
's recently published A Woman Sold, for such drama was rare...
Literary responses
Sarah Williams
A. H. Miles
included a selection of SW
's work in The Poets and the Poetry of the Nineteenth Century and the introduction by A. H. Japp
describes her work as distinguished by originality, breadth...
Literary responses
Lady Charlotte Elliot
LCE
received little critical attention either during or after her lifetime. The Athenæum obituary by Theodore Watts
described her as perhaps the latest noticeable addition to that bright roll of female poets of which Scotland...
politics
Christina Rossetti
Notwithstanding these affiliations, however, she declined to support women's suffrage when requested by Augusta Webster
around 1878. In a letter to Webster she stated: I do not think the present social movements tend on the...
Author summary
Lady Charlotte Elliot
Author of three volumes of poetry published in the second half of the nineteenth century, LCE
frequently saw her work linked to that of other Scottish writers. Her poems draw on religious and mythological themes...
Reception
Violet Fane
Reviewing this piece for the Athenæum, Augusta Webster
praised Life's Afternoon for its verve, and felt that the author had managed to transcend the tired trope of autumnal decadence.
Rigg, Patricia. “Augusta Webster and the Lyric Muse: The Athenæum and Webster’s Poetics”. Victorian Poetry, No. 2, pp. 135 - 64.
154
Timeline
July 1889
Women's Suffrage: A Reply appeared in the Fortnightly Review to counter Mary Augusta Ward
's Appeal Against Female Suffrage in the previous month's Nineteenth Century.