Kay, Jackie. The Adoption Papers. Bloodaxe Books.
prelims
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Catherine Cookson | By the late 1980s, when she was past eighty herself and in precarious health, CC
had become an industry that supported a vast empire, with hundreds of people dependent on her for their livelihood. This... |
Textual Production | Olivia Manning | |
Textual Production | Ray Strachey | RS
was a prolific essayist who regularly wrote for many American and British publications, including The Nation and Athenæum, The Spectator, The Daily Mail, The Observer, and the New York Evening... |
Textual Production | Teresa Deevy | This reached print the year after it was performed, in the Dublin Magazine. It played in Cork in 1939, opening on 6 November. A television film made from it was broadcast by the BBC |
Textual Production | Jackie Kay | The collection, dedicated to JK
's adoptive mother, was published by Bloodaxe Books
in Newcastle upon Tyne, with a photograph of human chromosomes on the cover. Kay, Jackie. The Adoption Papers. Bloodaxe Books. prelims Kay, Jackie. Off Colour. Bloodaxe Books. back cover |
Textual Production | Joan Riley | JR
gives readings from writing in progress, in schools and at conferences. Her work has been dramatised for radio and television as well as widely anthologised. Her short stories have appeared in Storia I... |
Textual Production | Phyllis Bottome | |
Textual Production | Anne Devlin | The opening instalment of AD
's three-part television adaptation of D. H. Lawrence
's novel The Rainbow was first aired on BBC One
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 245 Schrank, Bernice, and William W. Demastes, editors. Irish Playwrights, 1880-1995. Greenwood Press. 95 |
Textual Production | Winsome Pinnock | For radio WP
wrote a play called Her Father's Daughter, 1998, and adapted the short story Let Them Call It Jazz by Jean Rhys
(dramatization 1997), the novel Indiana by George Sand
(1832; BBC Radio Four |
Textual Production | Naomi Alderman | She also wrote Borrowed Time, 2011, a novel which is a spin-off from the BBC
's Doctor Who series, which she regards as fan fiction. Armitstead, Claire. “Naomi Alderman. A life in . . ”. theguardian.com. |
Textual Production | Wendy Cope | WC
's radio play Shall I Call Thee Bard? A Portrait of Jason Strugnell was broadcast by BBC
Radio 3. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Nina Bawden | It was made into a film for BBC
television. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Constance Garnett | Ephemeral writings by CG
have not been collected. A letter she wrote to Leonard Woolf
at the New Statesman and Nation in 1933, setting out her considered judgement on Soviet Communism, was apparently designed for... |
Textual Production | E. Arnot Robertson | EAR
made her first BBC
broadcast, Travel and Yachting on English Rivers, and was also heard in unrehearsed debate on issues of gender with Rose Macaulay
. Mason, Edward J., and Tony Shryane. “My Word! (1956-1990)”. Radio Days: Whirligig: 1950’s British Radio Nostalgia. Devlin, Polly, and E. Arnot Robertson. “Introduction”. Four Frightened People, Virago, p. vii - xix. xvi |
Textual Production | Mary Agnes Hamilton | MAH
presented for the BBC
the first broadcast of A Week in Westminster, a radio programme designed by Hilda Matheson
to educate the electorate (especially the newly-enfranchised female part of it) about politics. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Women’s History Timeline”. BBC: Radio 4: Woman’s Hour. |
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