The London Stage 1660-1800. Southern Illinois University Press.
2: 93
Connections Sort descending | Author name | Excerpt |
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Textual Production | Mary Pix | It was published the same year. The London Stage 1660-1800. Southern Illinois University Press. 2: 93 McKenzie, Donald Francis. “A New Congreve Literary Autograph”. Bodleian Library Record, Vol. xv , No. 4, pp. 292-9. 297 |
Textual Production | Elizabeth Burnet | EB
's papers survive among various collections in the Bodleian
and British Libraries
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Dorothea Du Bois | She dedicated it to Lady Hertford
. A manuscript note on the title-page of the British Library
copy says, containing her own Life and Adventures; Du Bois, Dorothea. Theodora. Printed for the author by C. Kiernan. title-page manuscript note |
Textual Production | Mary Masters | The Bodleian Library
has some letters of MM
's: MS Eng. Letters d. 45; others are in Ashfield, Andrew. Email to Isobel Grundy about Mary Masters. |
Textual Production | Janet Schaw | The first copy uncovered by scholars is now Egerton MS 2423 in the British Library
collections. At the date when the work appeared in print, the Vetch manuscript was owned and kept private by Schaw... |
Textual Production | Elizabeth Warren | Its fuller title is The Old and Good Way Vindicated: In a Treatise, Wherein Divers Errours, (Both in Judgement and Practice, Incident to These Declining Times) are Unmasked, for the Caution of Humble Christians... |
Textual Production | Elizabeth Baker | The 1930 Players
were a group organized by Inez Bensusan
, an Australian-born actress and playwright who had been instrumental in forming the Actresses' Franchise League
. Penelope Forgives was never published, but a typescript... |
Textual Production | Ann, Lady Fanshawe | In her will ALF
left all works written by herself and her daughters to one of them, Katherine: this suggests a household of women writers, possibly on domestic subjects. In 1651, with her husband away... |
Textual Production | Catherine Holland | Historian Dorothy L. Latz
prints or discusses several of CH
's religious works. A Method to Converse with God, a translation, survives as British Library
Harleian MS 3184; Latz suspects CH
may have written... |
Textual Production | Alethea Lewis | The subscribers included George Crabbe
and his wife
, and Mary Meeke
(who was for years, but erroneously, thought to have been a novelist herself). OCLC WorldCat (in 2015) lists three copies (at Yale
... |
Textual Production | Edith Mary Moore | EMM
, calling herself by only part of her name, Mary Moore, appears to have published The Defeat of Woman, an 87-page non-fictional treatise on women and society. Dated from the British Library
acquisition stamp. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Githa Sowerby | It ran for only nineteen performances. Fitzsimmons, Linda. “Githa Sowerby (1876-1970)”. New Woman Plays, edited by Linda Fitzsimmons and Viv Gardner, Methuen, pp. 135-7. 136 Compton, Fay. Rosemary: Some Remembrances. Alston Rivers. 157 |
Textual Production | Mary Matilda Betham | Matilda Betham
published at Ipswich her first book, Elegies, and other Small Poems (including many in ballad metre), dedicated to Lady Jerningham
. The British Library
has a copy of this work published in London... |
Textual Production | Elizabeth Cobbold | The frontispiece features a portrait of the cookery writer Hannah Glasse
(drawn by EC
herself), who is heroicised in the text. This poem answers The Sovereign, a poem by Charles Small Pybus
, addressed... |
Textual Production | Lucy Hutton | It seems that LH
wrote this book in November 1787, at a time when she was probably ill, since she had a premonition of her own death. It was deposited in the parish chest (where... |
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