qtd. in
English Short Title Catalogue. http://estc.bl.uk/.
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Lucy Hutton | It seems that LH
wrote this book in November 1787, at a time when she was probably ill, since she had a premonition of her own death. It was deposited in the parish chest (where... |
| Textual Production | Frances Isabella Duberly | During her time in CrimeaFID
kept a diary (whose manuscript does not survive) and sent regular letters home to her sister Selina
(now British Library
Additional Manuscripts 47218). She told Selina that writing to... |
| Textual Production | Charlotte Guest | On 12 April 1836 CG
wrote in her diary, I am iron now. This was a kind of pun: she meant that her life is altered into one of action, not of sentiment... |
| Textual Production | Jemima Kindersley | Her name appeared as Mrs. Kindersley. In the copy now in the British Library
someone wrote by her name: Widow of an officer in His Majesty's Army. qtd. in English Short Title Catalogue. http://estc.bl.uk/. |
| Textual Production | Florence Marryat | FM
was a speedy typist, and composed at the typewriter. She kept a notebook for jotting ideas for plots and episodes. She believed the business aspects of a literary career were more important than many... |
| Textual Production | Elizabeth Baker | The 1930 Players
were a group organized by Inez Bensusan
, an Australian-born actress and playwright who had been instrumental in forming the Actresses' Franchise League
. Penelope Forgives was never published, but a typescript... |
| Textual Production | Elizabeth Cary Viscountess Falkland | Both works (mentioned by her daughter-biographer) circulated widely in manuscript copies (particularly in the masculine environment of Oxford University
) and in printed miscellanies. Nadine N. W. Akkerman
(who has argued Elizabeth Cary Falkland's probable... |
| Textual Production | Frances Seymour Countess of Hertford | This new publication was priced at one shilling. Its full title here was The Story of Inkle and Yarrico: A Most Moving Tale from the Spectator. The first poem opens A youth there was... |
| Textual Production | Harriet Lee | The British Library
holds a volume of HL
's poems and stories written late in life and apparently never published. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Production | Charlotte Mew | CM
's manuscripts of poems and short stories and her unpublished letters are held in the British Library
and in the Lockwood Memorial Library at SUNY Buffalo
. The librarians at Buffalo are said to... |
| Textual Production | Mary Matilda Betham | Matilda Betham
published at Ipswich her first book, Elegies, and other Small Poems (including many in ballad metre), dedicated to Lady Jerningham
. The British Library
has a copy of this work published in London... |
| Textual Production | Elizabeth Cobbold | The frontispiece features a portrait of the cookery writer Hannah Glasse
(drawn by EC
herself), who is heroicised in the text. This poem answers The Sovereign, a poem by Charles Small Pybus
, addressed... |
| Textual Production | Michael Field | The two writers' vast journal, kept over many years, was not originally intended for publication but soon developed into a more self-consciously produced collaborative text by MF
. Excerpts were published by T. Sturge Moore |
| Textual Production | Catherine Talbot | CT
kept journals which survive in the British Library
. She kept her journal in French when writing about an unidentified man with whom she was in love with in the 1740s. Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon, 1990. 112 |
| Textual Production | Sarah Lady Piers | These letters are now in the British Library
, together with Thomas Birch
's notes on them. |
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