The Academy.
1430 (1899): 336
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Baker | Typescripts of EB
's unpublished plays can be found in the Lord Chamberlain's collection at the British Library
and the Theatre Museum
study room in London. |
Textual Production | Laura Ormiston Chant | LOC
published Sellcuts' Manager, her only novel. The British Library
catalogues this work as Sellcuts's Manager and the Bodleian
as Sellcut's Manager. The Academy. 1430 (1899): 336 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Eliza Fay | The full title was Her Original Letters from India; containing a narrative of a journey through Egypt: and the author's imprisonment at Calicut by Hyder Ally. To which is added, an Abstract of Three Subsequent... |
Textual Production | Mary Linskill | For Pity's Sake, which appeared posthumously, was, says Cordelia Stamp
, the last novel that ML
wrote—or rather the last she worked at, revising it from an early story. This book is not listed... |
Textual Production | Muriel Spark | MS
edited and published A Selection of Poems by Emily Brontë, with an introduction, for the Crown Classics Series published by Grey Walls Press
. Though this was the official publication date, the British Library |
Textual Production | Elizabeth Pipe Wolferstan | Though the printed sheet bears no name, a manuscript note in the British Library
copy identifies it as by EPW
. A copy appears as the final item in the Bodleian Library
's composite volume... |
Textual Production | Phebe Gibbes | With PG
's name appeared the designation author of the History of Lady Louisa Stroud. There are copies of The Niece, now rare, at the British Library
and Chawton House Library
. PG |
Textual Production | Anne Irwin | It is humbly inscrib'd Irwin, Anne. Castle-Howard. Printed by E. Owen. title-page |
Textual Production | Ouida | Ouida
issued Critical Studies, her second collection of previously published essays. The cover title on the British Library
first edition reads Critical Essays. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Catherine Talbot | The British Library
holds a number of CT
's letters, her journal, the manuscript of Reflections on the Seven Days of the Week, and poems (which, however, are not catalogued under her name). It... |
Textual Production | Susanna Haswell Rowson | SHR
's final publication, at Boston two years before her death, was Biblical Dialogues between a Father and his Family in two volumes, a book of family instruction in the Bible. Neither the British Library |
Textual Production | Elizabeth Boyd | The British Library
copy is 161 g. 56. An advertisement says that William Rufus Chetwood
(prompter at Drury Lane
) had hoped to get it staged, but it was delayed by the author's ill-health. Again... |
Textual Production | Elizabeth Cavendish, Duchess of Devonshire | Elizabeth, Duchess of Devonshire
re-issued her predecessor Georgiana, Duchess of Devonshire
's The Passage of the Mountain of Saint Gothard at Paris with her own Sketch of a Descriptive Journey through Switzerland. Bess's work... |
Textual Production | Anne Halkett | Part of her manuscript (now British Library
Add. MS 32376) had been lost or destroyed before this printing, leaving small gaps here and there, and breaking off in 1656. Halkett, Anne, and Ann, Lady Fanshawe. “Note on the Text; A Chronology of Anne, Lady Halkett”. The Memoirs of Anne, Lady Halkett and Ann, Lady Fanshawe, edited by John Loftis, Clarendon Press, pp. 3-7. 3 |
Textual Production | Sophia King | SK
set her birth name to this novel, which she presumably arranged for before her wedding in July. The British Library
has a copy, N 2048. SK
provides a spirited preface on the part played... |
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