Callcott, Maria. A Description of the Chapel of the Annunziata dell’Arena. Printed for the author by T. Brettell.
prelims
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Maria Callcott | This appeared as printed for the author. MC
says her frontispiece, sketched in 1834, was to be her very last attempt at holding a pencil. Callcott, Maria. A Description of the Chapel of the Annunziata dell’Arena. Printed for the author by T. Brettell. prelims |
Textual Production | Anna Seward | Literary historian Ann B. Shteir
thinks AS
may be the author of The Backwardness of the Spring Accounted For, a poem written into a copy of Linnaeus
's A System of Vegetables, 1783... |
Textual Production | Elizabeth Elstob | These 36 pages in folio, printed at Oxford University Press
, survive in the British Library
. This fragment, like the sample single homily, has parallel texts: the original Anglo-Saxon and EE
's modern English.The... |
Textual Production | Rose Hickman | The British Library
has three copies of her work, but none is her original. The earliest, most likely made by her son William Hickman around the date of her death, is bound up with an... |
Textual Production | Hannah More | HM
was a formidably energetic letter-writer all her life, from her early visits to London, which produced scintillating and gossippy letters home, to her old age. Individual collections reached print, like those to Zachary Macaulay |
Textual Production | Anna Steele | Braintree is only about six miles from Steele's home, Rivenhall Place, and she later published her play, too, locally. This text is not in the Bodleian
or Cambridge University Library
and not listed by... |
Textual Production | Michael Field | The two writers' vast journal, kept over many years, was not originally intended for publication but soon developed into a more self-consciously produced collaborative text by MF
. Excerpts were published by T. Sturge Moore |
Textual Production | Sophia Hume | SH
published a signed broadside, A Word of Advice and Warning to Handicrafts-men, Labourers, Carmen, Coachmen, Chairmen, &c. The British Library
assigns this tentative date to its copy of this broadside, the only known copy... |
Textual Production | Catharine Macaulay | There is no extensive collection of manuscripts by CM
, but letters by her are held in various libraries in the USA: the Rhode Island Historical Society
, the Boston Public Library
, the... |
Textual Production | Emma Parker | The title-page quoted Pope
's dictum that woman's a contradiction still. Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby. title-page Feminist Companion Archive. |
Textual Production | Nancy Cunard | This reached print only two years before a book on the same outrageously camp figure by a younger writer, Brigid Brophy
. The British Library
keeps its copy in the category of books likely to... |
Textual Production | Sarah Grand | SG
first appeared in print with her novel Two Dear Little Feet: a morality tale about the dangers posed to women's health by fashionable, too-tight boots. Scholars like Gillian Kersley
, Ann Heilmann
... |
Textual Production | Lady Margaret Sackville | LMS
also contributed to a collection issued by the Royal Society of Literature
in 1931: Essays by Divers Hands (edited by Sir Francis Younghusband
). She wrote the forewords to |
Textual Production | Julian of Norwich | She produced her account first in a shorter and then in a longer version. Riddy, Felicity. “Julian of Norwich and Self-Textualization”. Editing Women, edited by Ann M. Hutchison, University of Toronto Press, pp. 101-24. 103-4 |
Textual Production | Lady Margaret Sackville | LMS
published much of her work with small publishers and in limited edition chapbooks, now fragile and rare, though both the British Library
and the Bodleian
have most of her publications. She was a Fellow... |
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