Heinemann

The subject was suggested by Arnold Gyde , her closest contact at Heinemann . The collection of books used in writing the novel is now at the library of the University of Tasmania ...

It was originally published by Ogwugwu Afor in London and Ibuza, Nigeria, and appeared the same year from Fontana in London. It was re-issued in Heinemann 's African Writers Series in 1994.BE

The London edition followed from Michael Joseph the next year, with a Reader's Union edition two years after that. There are several modern editions. A Town House paperback of 1996 has a new introduction by...

She based it on a family story of her forebears: an early-nineteenth-century John Allingham who had a second family by Charlotte Duncan, in addition to his legitimate family. The English publisher was Michael Joseph

AC 's association with the publisher William Heinemann of London began with the publication of A Marked Man. Although she published with several other companies, Heinemann remained her primary publisher from this time.

With Robert Graves , LR published in LondonA Survey of Modernist Poetry, written at Vienna the previous winter. It was issued through the commercial publishers: Heinemann and, next year in New York, Doubleday .

She originally titled the book Equipment, but on the advice of F. Tennyson Jesse (a reader for her publisher, Heinemann ), the title was changed. EMD had wanted a pseudonym to distinguish herself from...

SJ planned to publish The Lovely Ship with Constable . However, when Michael Sadleir requested revisions and offered only a two-hundred-pound advance, she moved to Heinemann , which gave her a four-hundred-pound advance and published...

The manuscript was rejected by Unwin and Heinemann before her friend John Lane accepted it for somewhat questionable reasons: It is always very pleasant to accept the MS of a new riter [sic] but it...

The London edition, published by Heinemann , omits a short, potentially objectionable passage that appears in the New York edition.

Reviewers judged EA 's subsequent novels to be largely forgettable. Macmillan published her Introduction to Sally in 1926 (a comedy which is Pygmalion-like but not otherwise Shavian ); her Expiation in 1929 (an exploration...

Mary Agnes Hamilton changed her publisher to Duckworth (from Heinemann ) for her next novel, Dead Yesterday, which expresses her horrified opposition to the First World War.

This, at three years, was her longest novel in the writing. With it she moved from Heinemann to Weidenfeld , but she remained uncertain whether the shift had been a good thing.

The first version was rejected by Harper and Row with the comment: A book can stand one or even two neurotics, but not three who are the main characters. After writing and publishing an...

CADS was bitterly disappointed when both Heinemann and John Murray rejected her Elizabethan novel, Ulalia; it remained unpublished, but she always considered it one of her best works.