qtd. in
Colenbrander, Joanna. A Portrait of Fryn. A. Deutsch, 1984.
213
Connections Sort descending | Author name | Excerpt |
---|---|---|
Cultural formation | Eleanor Sleath | ES
belonged to the presumably white, English upper-middle class or minor gentry. She was baptised a member of the Anglican Church
, though gothicists Michael Sadleir
and Devendra P. Varma
, who had different theories... |
Cultural formation | Rhoda Broughton | |
Family and Intimate relationships | Rhoda Broughton | RB
left no evidence as to her possible sexual orientation or erotic relationships. A number of critics (notably Michael Sadleir
) have suggested that an early unhappy love affair prompted her frequently cynical representations of... |
Friends, Associates | Storm Jameson | Michael Sadleir
first took Jameson to the Thursday evening salons hosted by Naomi Royde-Smith
at her Queen's Gate home. These gatherings were attended by Rose Macaulay
, Arnold Bennett
, Edward Marsh
, and Frank Swinnerton |
Literary responses | Rhoda Broughton | Sadleir
, noting the autobiographical element in this novel's subject-matter, judged that it eschews the cynicism and self-mockery of A Beginner in favour of a deliberate plunge into the ardours and agonies of a distant... |
Literary responses | Mary Ann Browne | As it began its course of posthumous publication, the Dublin University Magazine praised MAB
for staying out of the masculine fields of analysis and abstract thought. This set a tone for later comments: as for... |
Literary responses | F. Tennyson Jesse | The New Yorker described the letters as having vigour, clarity, humour and elegance, and found FTJ
and her husband a tough pair of gentle writers. qtd. in Colenbrander, Joanna. A Portrait of Fryn. A. Deutsch, 1984. 213 |
Literary responses | Anne Manning | |
Literary responses | Helen Waddell | Stories from Holy Writ (early work published late in HW
's life, but carefully revised by her for the press) rapidly sold 3,500 copies even with practically no reviewing. qtd. in Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable, 1973. 204 |
Literary responses | Marjorie Bowen | In his introduction to the book, Michael Sadleir
commends its descriptive detail and period expression. He suggests that MB
's reading of human nature and of the capacity for pity produces a realistic, alarming, sinister... |
Literary responses | Helen Waddell | HW
treasured a letter in which Michael Sadleir
responded to her novel, telling her he found it hard to write without hyperbole. Of course I expected great things, but nothing—nothing approaching what I found. It... |
Literary responses | Marjorie Bowen | MB
was admired in her own day by others who prided themselves on the popular touch in their writing: Mark Twain
, Walter de la Mare
, Compton Mackenzie
, and Hugh Walpole
, who... |
Literary responses | Laura Riding | Scholar Michael Sadleir
gave a lunch party to celebrate the publication, and was impressed by LR
's ability to make her ancient characters real. Friedmann, Elizabeth. A Mannered Grace. Persea Books, 2005. 295 He was agreeably surprised to learn that one of Riding's... |
Literary responses | Rhoda Broughton | The Athenæum, describing Belinda as RB
's worst novel, noted a similarity of her central couple to Dorothea and Casaubon in George Eliot
's Middlemarch. It deemed Eliot's characterisation decidedly superior, maintaning that... |
Literary responses | Eliza Parsons | Most published comment on EP
has been confined to her gothic novels, and most gothicists (Montague Summers
and Devendra P. Varma
, for instance) have treated her grudgingly: less than mediocre Hoeveler, Diane Long, and Eliza Parsons. “Introduction”. The Castle of Wolfenbach, edited by Diane Long Hoeveler and Diane Long Hoeveler, Valancourt Books, 2007, p. vii - xvii. viii |