Enright, Anne. “An annoyance to Irish literary males”. Guardian Weekly, 2 Nov. 2012, pp. 38-9.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Edna O'Brien | Ernest was by this time a relatively successful writer, but a controlling and disappointed man who was jealous of her talent. Enright, Anne. “An annoyance to Irish literary males”. Guardian Weekly, 2 Nov. 2012, pp. 38-9. 38 |
Intertextuality and Influence | Margery Allingham | The idea for this character shift came from her US publishers, Doubleday Doran
. But the book was more fundamentally and crucially influenced by the collaboration of MA
's husband Pip Carter
. She always... |
Literary responses | Patricia Highsmith | Her Doubleday
editor wrote: although it was so very complex, it all fell together beautifully. . . . She was what I call a real caviar writer. qtd. in Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury, 2003. 281 |
Publishing | Patricia Highsmith | PH
's crime novel without a murder appeared first as The Story-Teller in New York (for Doubleday
's Crime Club) and later in the UK for Heinemann
as A Suspension of Mercy. Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury, 2003. 256-7 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Contemporary Authors: New Revision Series. Gale Research, 1981–2025, Numerous volumes. 62 |
Publishing | Margery Allingham | She based it on a family story of her forebears: an early-nineteenth-century John Allingham who had a second family by Charlotte Duncan, in addition to his legitimate family. Martin, Richard, 1934 -. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press, 1988. 133 |
Publishing | Mary Wesley | |
Publishing | Patricia Highsmith | The first version was rejected by Harper and Row
with the comment: A book can stand one or even two neurotics, but not three who are the main characters. qtd. in Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press, 1990. 128 |
Publishing | Ruby M. Ayres | The Uphill Road does not seem to have appeared in England. One might suppose that Ayres chose this manner of publication because of her almost incredible productivity in this year. She continued to issue occasional... |
Publishing | Mary Augusta Ward | She earned considerably less for The Mating of Lydia than for her last novel: £1,200 from Smith, Elder
and £2,000 from Doubleday
. |
Publishing | Enid Bagnold | The seeds for this novel were planted ten years earlier, when MGM
approached Bagnold to write a film script with a part for a mature actress. A case of writer's block made her turn down... |
Publishing | Muriel Spark | The prospect of personal revelations in this book aroused great anticipation. A Doubleday
editor, no less than Jacqueline Kennedy Onassis
, offered $100,000 for world rights and was disappointed not to get them. Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson, 2009. xv |
Publishing | Githa Sowerby | The play was published that year in London by Sidgwick and Jackson
, and in New York (where it opened in December the same year with the same cast) Riley, Patricia. Looking for Githa. New Writing North, 2009. 57 |
Publishing | Vita Sackville-West | VSW
's Challenge, a novel based on her love-affair with Violet Trefusis
, appeared in New York from George H. Doran
; it remained unpublished in Britain until 1974. Nicolson, Nigel, and Vita Sackville-West. “Foreword”. Challenge, Collins, 1974, pp. 7-11. 7 |
Publishing | Jennifer Johnston | |
Publishing | Natalie Clifford Barney | NCB
published a collection of poems in French and English, Poems & poèmes, with Émile-Paul Frères
in Paris and George H. Doran
in New York. Barney, Natalie Clifford. Poems & poèmes. Émile-Paul Frères and George H. Doran, 1920. title-page |
No bibliographical results available.