Enright, Anne. “An annoyance to Irish literary males”. Guardian Weekly, 2 Nov. 2012, pp. 38-9.
38
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Edna O'Brien | Ernest was by this time a relatively successful writer, but a controlling and disappointed man who was jealous of her talent. Enright, Anne. “An annoyance to Irish literary males”. Guardian Weekly, 2 Nov. 2012, pp. 38-9. 38 |
Intertextuality and Influence | Margery Allingham | The idea for this character shift came from her US publishers, Doubleday Doran
. But the book was more fundamentally and crucially influenced by the collaboration of MA
's husband Pip Carter
. She always... |
Literary responses | Patricia Highsmith | Her Doubleday
editor wrote: although it was so very complex, it all fell together beautifully. . . . She was what I call a real caviar writer. qtd. in Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury, 2003. 281 |
Publishing | Nancy Mitford | Wigs on the Green and its predecessor, Christmas Pudding were re-issued in Vintage
editions for Knopf Doubleday
in 2013, in one volume with an introduction by Jane Smiley
. |
Publishing | Phyllis Bottome | The book was first published by George H. Doran
in New York and two years later by Collins
in London. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 197 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Alice Munro | Macmillan sold the book at $10.95 (a dollar higher than they had intended) and early in 1979 needed to supplement their first print-run of 8,500 with another 2,500 copies. Thacker, Robert. Alice Munro. McClelland and Stewart, 2005. 352 |
Publishing | Laura Riding | With Robert Graves
, LR
published in LondonA Survey of Modernist Poetry, written at Vienna the previous winter. It was issued through the commercial publishers: Heinemann
and, next year in New York, Doubleday
. Friedmann, Elizabeth. A Mannered Grace. Persea Books, 2005. 97 and n32 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Tillie Olsen | She returned to the novel in the 1960s (heartened by the publication of her short-story volume) with a different slate of potential publishers. She wriggled out of her commitment to Viking
(to their indignation) and... |
Publishing | Daphne Du Maurier | She wrote this novel during the previous winter at her parents' country house, Ferryside at Bodinnick in Cornwall. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Publishing | Jean Plaidy | |
Publishing | Tillie Olsen | The stories were I Stand Here Ironing, Hey Sailor, What Ship?, O Yes, and the title story. Lippincott
, who first published the volume, lost money on it. It was published in... |
Publishing | Daphne Du Maurier | |
Publishing | Margery Allingham | |
Publishing | Germaine Greer | As she later told the story, her agent suggested a book (in connection with the fiftieth anniversary of the Representation of the People Act of 6 February 1918, when women got the vote) on why... |
Publishing | Virginia Woolf | VW
negotiated with American publishers over the rights to The Voyage Out and Night and Day; George H. Doran
of New York became her first American publisher. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols. 2: 401, 403 |
No bibliographical results available.