Royal Academy

Connections

Connections Sort descending Author name Excerpt
Family and Intimate relationships Elizabeth Rigby
Charles Eastlake was an established painter and extremely active in England's artistic circles. In 1842 he became the Royal Academy 's librarian. He also served as the secretary of the Fine Arts Commission and sat...
Family and Intimate relationships Mary Robinson
MR 's affairs with the prince and with Fox overlapped with the beginning of what turned out to be her most enduring relationship: with Banastre Tarleton , an army colonel and a pitiless hero in...
Family and Intimate relationships Caroline Leakey
Caroline's father, James Leakey , was the son of John Leakey who was involved in wool trading. James was an artist who painted portraits, landscapes, and small interiors, but was best known for his oil...
Family and Intimate relationships Christina Rossetti
He had been a member of the Christ Church congregation to which she belonged, as well as a fellow student of Gabriel at the Royal Academy , but had converted to Catholicism. She was not...
Family and Intimate relationships Jane Loudon
He was a member of the Society of Arts and a fellow of the Linnean Society , had published a number of books and exhibited as a painter at the Royal Academy , carried out...
Family and Intimate relationships Laurence Alma-Tadema
He had already, the previous year, exhibited at the Royal Academy for the first time.
Graves, Algernon. The Royal Academy of Art. Henry Graves and George Bell.
Family and Intimate relationships Mary Cowden Clarke
MCC 's brother Joseph Alfred (known as Alfred) set up the famous family music firm, which gave a continuing framework to the publishing projects of his father. He managed the firm until 1856. Edward Petre
Family and Intimate relationships Elizabeth Strutt
The paintings he exhibited at the Royal Academy were mostly landscapes; it may not be fanciful to see the influence of his marriage in the two titles he showed (for the first time) in 1819:...
Family and Intimate relationships Laurence Alma-Tadema
In London he became a highly successful painter and a member of the Royal Academy , known particularly for classical subjects handled with richly-coloured sensuous detail that suggested the seventeenth-century Dutch painters. After his death...
Family and Intimate relationships Frances Power Cobbe
Lloyd was the daughter of the squire of Rhagatt in Merionethshire, Wales; a maiden aunt in the family had been a friend of the Ladies of Llangollen (Eleanor Butler and Sarah Ponsonby )...
Family and Intimate relationships Alice Meynell
AM 's sister Elizabeth , later Lady Butler, became a well-known painter. She earned high praise for her depiction of a battle scene in The Roll Call, exhibited at the Royal Academy in 1874...
Family and Intimate relationships Laurence Alma-Tadema
LAT 's sister, Anna , also became a painter. She first exhibited at the Royal Academy in 1885 and continued to do so at the rate of a painting about every two years. She had...
Family and Intimate relationships Elizabeth Strutt
Her husband is last heard of exhibiting at the Royal Academy in 1858.
Gilbert, Ann Taylor. Ann Taylor Gilbert’s Album. Editor Stewart, Christina Duff, Garland.
535
Graves, Algernon. The Royal Academy of Art. Henry Graves and George Bell.
Family and Intimate relationships Laurence Alma-Tadema
Laura Alma-Tadema was the daughter of the homoeopathic doctor George Napoleon Epps . Her sister Ellen married Edmund Gosse . Childless herself, she was a loving mother to her stepdaughters.
Swanson, Vern G. The Biography and Catalogue Raisonné of the Paintings of Sir Lawrence Alma-Tadema. Garton.
95
She herself became a...
Leisure and Society George Eliot
Exhibited at the Royal Academy in 1867 and now in the National Portrait Gallery , this was said by those who knew GE to be the best likeness of her.
Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton.
275
Haight, Gordon S. George Eliot: A Biography. Oxford University Press.
378
The portrait may...

Timeline

1850: The Royal Academy unleashed the full weight...

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1850

The Royal Academy unleashed the full weight of its criticism against the Pre-Raphaelite Brotherhood .

Before May 1851: The Royal Academy accepted several Pre-Raphaelite...

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Before May 1851

The Royal Academy accepted several Pre-Raphaelite works for its annual exhibition (which opened on 5 May), despite the volley of criticism which had followed the Brotherhood's previous public displays.

Mid-1850s: US sculptor Harriet Hosmer, living and working...

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Mid-1850s

US sculptor Harriet Hosmer , living and working in Rome, broke with the convention of using nude male models for both sexes.

7 May 1855: Painter Joanna Mary Boyce's Elgiva was hung...

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7 May 1855

Painter Joanna Mary Boyce 's Elgiva was hung at the Royal Academy exhibition; this was Boyce's first public exposure.

3 May 1858: Rosa Brett made her exhibition debut, showing...

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3 May 1858

Rosa Brett made her exhibition debut, showing The Hayloft at the Royal Academy , under the pseudonym Rosarius.

4 May 1874: Elizabeth (Thompson), Lady Butler, exhibited...

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4 May 1874

Elizabeth (Thompson), Lady Butler , exhibited her painting Roll Call at the Royal Academy ; it was bought by Queen Victoria .

1859: A Royal Commission was appointed to investigate...

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1859

A Royal Commission was appointed to investigate the workings of the Royal Academy of Arts, including the role of women artists.

1861: Fearing adverse publicity, and sensing a...

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1861

Fearing adverse publicity, and sensing a shift in public opinion, the Royal Academy of Arts acceeded to demands that female artists be granted admission and membership.

Before May 1862: Whistler's highly realist painting The White...

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Before May 1862

Whistler 's highly realist painting The White Girl was rejected by the Royal Academy .

1863: A Government Commission on art was established;...

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1863

A Government Commission on art was established; Robertson Blaine proposed full Royal Academy membership for women.

May 1867: The Royal Academy of Arts was compelled to...

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May 1867

The Royal Academy of Arts was compelled to repeal the quota system it had instituted to limit its numbers of female students.

3 May 1869: Catherine Madox Brown made her exhibition...

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3 May 1869

Catherine Madox Brown made her exhibition debut with At the Opera at the Royal Academy .

By 16 May 1874: The Royal Academy chose as its picture of...

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By 16 May 1874

The Royal Academy chose as its picture of the year Elizabeth Thompson 's The Calling of the Roll after the Crimea; Thompson was the first woman to receive such an honour.

Summer 1874: Watercolourist Helen (Paterson) Allingham...

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Summer 1874

Watercolourist Helen (Paterson) Allingham gained the recognition of the London artistic establishment after two of her paintings were selected for the Royal Academy Summer Exhibition.

By 12 May 1877: The Grosvenor Gallery (welcomed by a Punch...

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By 12 May 1877

The Grosvenor Gallery (welcomed by a Punch cartoon on this date) was established as an alternative exhibition arena to the Royal Academy shows. It lasted until 1891.

Texts

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