Sappho
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Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho
, the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Leisure and Society | Rumer Godden | Her literary standards of judgement were high. Among women poets she accorded major status only to Sappho
, Christina Rossetti
, Emily Dickinson
—not Elizabeth Barrett Browning
—and to the more recent Edith Sitwell
and Marianne Moore
. Godden, Rumer. A Time to Dance, No Time to Weep. Macmillan, 1987. 218 and n |
Leisure and Society | L. E. L. | Soon after LEL left her mother's house, rumours of an illicit relationship with Jerdan began. The Sunday Times of 5 March 1826 intimated that a well-known English Sappho had produced a child two years previously... |
Leisure and Society | Felicia Hemans | She wrote of Paganini
's playing that its predominant expression was that of overpowering, passionate regret . . . it seemed as if the musician was himself about to let fall his instrument, and sink... |
Literary responses | Laurence Hope | A number of evaluations of Hope's work appeared at her death. Thomas Hardy
's obituary for her, printed in the Athenæum, praised the tropical luxuriance and Sapphic
fervour of The Garden of Káma... |
Literary responses | Fidelia | Next month commentators were busy. Jane Brereton
as Melissa addressed both Elizabeth Carter
(whom, in her turn, she supposed to be an anonymous male writer) and Fido, whom she assured that Fidelia ought to... |
Literary responses | Kathleen Raine | Graham Greene
responded to this book with what he called an enthusiastic if ignorant howl. Though he had already seen and admired some of her poems, he wrote, he had not realised the quantity of... |
Literary responses | Judith Cowper Madan | |
Literary responses | Lady Caroline Lamb | When Glenarvon first appeared, said Lady Caroline, William Lamb
admired it so much that it was instrumental in bringing the separated couple back together. Morgan, Sydney Owenson, Lady. Lady Morgan’s Memoirs. Editors Dixon, William Hepworth and Geraldine Jewsbury, AMS Press, 1975, 2 vols. 2: 202 |
Literary responses | Judith Cowper Madan | Roger Lonsdale
in 1990 followed Falconer Madan
in supposing that her child-bearing and the influence of John Wesley
and the Methodists
amounted to sufficient explanation for her ceasing to write. Valerie Rumbold
suggested in 1996... |
Literary responses | Mary Whateley Darwall | Before the appearance of her first book, Mary Whateley was celebrated by a Walsall poet, Stephen Chatterton
, for excelling Sappho
's odes. During the same period, in 1861, the Gentleman's Magazine published an exaggerated... |
Literary responses | Anna Seward | The Critical praised her lively glow of imagination, and bewitching harmony of numbers Critical Review. W. Simpkin and R. Marshall, 5 series. 53 (1782): 230 |
Literary responses | Edna St Vincent Millay | William Marion Reedy
, who read this collection in proof, thought it splendid work—all shot through with brightness; the air of the open world in it too. qtd. in Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001. 186 |
Literary responses | Mary Savage | The notice in the Critical Review reprinted MS
's prefatory essay on recent female improvements: Instead of the single Sappho
of antiquity, we can muster many names of equal, and some of superior value, in... |
Literary responses | L. E. L. | The volume firmly established her trademark theme of the doomed romantic female poet, and this persona was strongly identified with LEL herself. Her Victorian biographer Laman Blanchard
claimed that LEL and Sappho
were voted one... |
Literary responses | Ann Yearsley | Elizabeth Isabella Spence
, reporting on a visit to Bristol, mentions AY
as an example of an obscure woman writer of genius. Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme, 1809, 2 vols. 71 |
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