Sappho

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Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho , the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.
Circular portrait from a fresco in ancient Pompeii, popularly identified as Sappho though it probably portrays a high-society Pompeian lady. She is clad in blue, green, and purple, with a gold net over her short, curly hair, and large gold hoop earrings. She holds a wax tablet and a stylus ready for writing. bbbbbbbbbbbbbbbbbbNaples National Archaeological Museum.

Connections

Connections Author name Excerpt
Intertextuality and Influence Adrienne Rich
The title poem comes last. Many of the pieces here, like the volume overall, are dedicated to individuals. They include dialogues between the present and the past or future, between personal life and the enormities...
Intertextuality and Influence Adrienne Rich
First published in 1971 (Rich's collections often include writings issued previously), the essay When We Dead Awaken: Writing as Re-Vision is described in 1988 by Elizabeth Meese as still inform[ing] much of the best work...
Intertextuality and Influence Rosalind Coward
With essays under such titles as Ideal Homes, Kissing, Naughty but Nice: Food Pornography, and Men's Bodies, Female Desire interrogates the matter-of-fact details and events of everyday life, revealing the complex...
Intertextuality and Influence Jane Barker
JB writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade.
Barker, Jane. Poetical Recreations. Benjamin Crayle, 1687.
11
She reflects her intimate knowledge of the work of Katherine Philips and Abraham Cowley
Intertextuality and Influence E. B. C. Jones
The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be...
Intertextuality and Influence Sally Purcell
On a Cenotaph quotes a phrase from Baudelaire 's poem Lesbos: the shocking juxtaposition of a dead body with adoration in le cadavre adoré di Sapho . Though SP supplied notes to some things...
Intertextuality and Influence Sylvia Kantaris
This volume, through its title, invokes a whole tradition of women's poetry. Sappho was the first to bear the honorific nickname of tenth muse, which was later freely bestowed on writing women (like Anna Maria van Schurman
Intertextuality and Influence Michael Field
They were greatly influenced in their writing of this book by Henry Thornton Wharton 's recent Sappho: Memoir, Text, Selected Renderings, and a Literal Translation. Containing John Addington Symonds ' translation of Sappho 's...
Intertextuality and Influence Michael Field
The preface calls Sappho the one woman who has dared to speak unfalteringly of the fearful mastery of love.
Field, Michael. Long Ago. G. Bell and Sons, 1889.
Each of the poems that follow begins with an epigraph from Sappho
Titles are numbers, given...
Intertextuality and Influence Natalie Clifford Barney
NCB 's treatment of Sappho was influenced by Les chansons de Bilitis by French writer Pierre Louÿs (1894), a fictional work which purported to be a translation (along with biography, bibliography, and scholarly notes) of...
Intertextuality and Influence Emily Dickinson
Among our contemporary poets, Adrienne Rich has offered this reading of ED 's life and works: Emily Dickinson—viewed by her bemused contemporary Thomas Higginson as partially cracked, by the twentieth century as fey or...
Intertextuality and Influence Natalie Clifford Barney
Rewriting Ovid , NCB attributes Sappho 's death to her love for Timas, a young female disciple, instead of Phaon.
Causse, Michèle. Berthe ou un demi-siècle auprès de l’Amazone. Tierce, 1980.
249
Gilbert, Sandra M., and Susan Gubar. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Yale University Press, 1988.
2: 226
The text incorporates quotations from Sappho , together with footnotes in Greek and critical commentary.
Benstock, Shari. Women of the Left Bank: Paris, 1900-1940. University of Texas Press, 1986.
291
Intertextuality and Influence Lady Mary Wroth
Interspersed in the body of Urania are fifty-nine poems and sonnets. As printed, the book concludes with three sonnet sequences comprising a further eighty-three sonnets and eighteen songs, in a freshly paginated section. These sequences...
Intertextuality and Influence Maria Barrell
The range of styles is wide: from sentiment to burlesque. Poems of sentiment include an epitaph on a woman who died of a broken heart. Others construct a narrative for Maria: she gently and...
Intertextuality and Influence Maureen Duffy
Living her afterlife on Mount Parnassus, Duffy's Sappho is familiar with women poets who have written in English: her favourite is Aphra Behn .
Duffy, Maureen. “My Life with Aphra Behn”. Women’s Writing, Vol.
19
, No. 2, 13 Feb. 2012.
244

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