Sappho
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Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho
, the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Features | Judith Cowper Madan | |
| Textual Features | Jane Barker | JB
makes a pretence that the main story, the on-again off-again love of Bosvil and Galesia, is related by Galesia, in the garden at St Germain in about 1688, to someone called Lucasia (a name... |
| Textual Features | Brigid Brophy | There is a strong flavour of Kafka
about this comic parable both of a family and of a state. The royal family of Evarchia (somewhere in contemporary Middle or Eastern Europe) has an authoritarian father... |
| Textual Features | Barbarina Brand Baroness Dacre | An epilogue by Thomas Moore
sounds flippantly critical of Bluestockings (not the historical group of this name, but in the more general sense of intellectual women). A speaker appears wondering much what little knavish sprite... |
| Textual Features | Frances Burney | The Woman-Hater again features Lady Smatter. This time she drops nearly five times as many authors' names as in The Witlings; only one, Sappho
, is that of a woman. |
| Textual Features | Ann Yearsley | In the added lines AY
modifies her original opinion that true friendship is impossible if the friends are not equals in rank. In the last of these poems (a complex discussion of the issue of... |
| Textual Features | Lady Margaret Sackville | She set most of her early poems in exotic places. More than one critic has heard the influence of Sappho
in what are sometimes called LMS
's Hellenic verses. In A Hymn to Dionysus... |
| Textual Features | Natalie Clifford Barney | In L'amour défenduNCB
defends the proposition that only love is important, not the sex to whom it is directed. Barney, Natalie Clifford, and Karla Jay. A Perilous Advantage: The Best of Natalie Clifford Barney. Translator Anna Livia, New Victoria Publishers, 1992. 85 |
| Textual Features | L. E. L. | LEL's poetic persona in her title poem is deeply indebted to Germaine de Staël
's highly influential Corinne (1807), which depicts the contemporary woman artist as a spontaneous performer of verse to her own musical... |
| Textual Features | Jeanette Winterson | The novel's three apparently unconnected characters are breast surgeon Handel (erstwhile boy chorister, castrato, and Catholic priest; not the same as yet reminiscent of George Frederick Handel
), Picasso (a young woman whose family opposes... |
| Textual Features | L. E. L. | However, LEL's version of the narratives of her female precursors presents a complex layering of voices framed by that of her Florentine improvisatrice. Even though the speaker has poured [her] full and burning heart /... |
| Textual Production | Elizabeth Singer Rowe | Jane Turell
of Massachusetts (a generation younger than ESR
, the daughter of her old admirer Benjamin Colman
) emulated Rowe so single-mindedly that Melanie Bigold
feels she became a kind of American Rowe. She... |
| Textual Production | Anne Carson | AC
's poetry collection Men in the Off Hours, 2000, variously inhabits the minds (and bodies) of Tolstoy
, Lazarus, Freud
, Catullus
, Sappho
and Emily Dickinson
, not to mention the French... |
| Textual Production | Christina Rossetti | In Sappho, as also in another poem on the Greek lyricist written two years later, fifteen-year-old CR
signalled her interest in the female poetic tradition. Rossetti, Christina. The Complete Poems of Christina Rossetti. Editor Crump, Rebecca W., Louisiana State University Press, 1979–1990, 3 vols. 3: 392, 423 |
| Textual Production | Mary Robinson |
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Texts
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