Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell.
34
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Smith | By mid-August 1793 Smith had written what was probably a poem called Tintern Abbey. Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell. 34 |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Flora Thompson | She had begun this the summer after the war, calling it These Too Were Victorians. Her publisher, Geoffrey Cumberlege
, wrote with congratulations on the first instalment she sent him, and offered her an... |
Textual Production | E. M. Delafield | Its title comes from Wordsworth
's poem, The World is Too Much with Us. |
Textual Production | Susanna Blamire | Gilpin/Coward (who provided a good deal of biographical information and other commentary) argued that SB
had the most original and most reflective mind that Cumberland has produced, apart from William Wordsworth
. Blamire, Susanna, and Catherine Gilpin. Songs and Poems. Editor Coward, George, George Routledge. 35-6 |
Textual Production | Margaret Fuller | Supporting herself while in Europe by working as a foreign correspondent (the first woman to do so), Marshall, Megan. “Let Them Be Sea-Captains”. London Review of Books, Vol. 29 , No. 22, pp. 16-18. 16 |
Textual Production | Sara Maitland | SM
edited Very Heaven: Looking Back at the 1960s, a collection of essays on women in this radical decade whose title draws on William Wordsworth
's memory of being young and idealistic at the... |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
Textual Production | Agatha Christie | AC
published, as Agatha Christie Mallowan, a collection of travel reminiscences, Come, Tell Me How You Live: the title (quoted from William Wordsworth
questioning the leech-gatherer) puns on tell, the Arabic word... |
Textual Production | Margaret Gatty | MG
followed this great success with Worlds not Realized, 1856 (an instructional book whose title is adapted from a line in Wordsworth
about the blank misgivings of the soul obstinately questioning the resistant physical... |
Textual Production | Henrietta Camilla Jenkin | Her friend Elizabeth Gaskell
wrote to George Smith
of Smith, Elder
on 10 February 1859 to urge him to publish this novel, which, however, she declared she had not read. He sent her a copy... |
Textual Production | Anne Marsh | |
Textual Production | Muriel Spark | MS
published Tribute to Wordsworth
: A Miscellany of Opinion for the Centenary of the Poet's Death, a work on Wordsworth's reception in which she dealt with the twentieth century and Derek Stanford
with the nineteenth. Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press. 19 Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson. 109 |
Textual Production | Anne Marsh | The title-page bore a creative misquotation from William Wordsworth
: She lived within her father's halls . . . And very few to love—which converts the rustic Lucy into an upper-class heroine like AM |
Textual Production | Mary Bryan | The preface to the work writhes between expression and suppression. MB
alternately fears being blamed for vanity or presumption Bryan, Mary, and Jonathan Wordsworth. Sonnets and Metrical Tales 1815. Woodstock Books. viii |
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