Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Valentine Ackland | Warner and Ackland point out in a Note to the Reader, which is a kind of manifesto, that the text is not a collaboration, but rather a joint collection of their poetry. They explain... |
Textual Features | Rosamund Marriott Watson | In addition to reviews, RMW
contributed sixteen signed poems, including one entitled The Lost Leader, which was published one week after his death in tribute to the poet William Ernest Henley
who had died... |
Textual Features | Freya Stark | Despite the generality of her introduction, Stark relates her particular experiences in Aden, Egypt, Syria, Palestine, Transjordan, and Iraq. She depicts the Arab character through detailed descriptions and through... |
Textual Production | Sara Maitland | SM
edited Very Heaven: Looking Back at the 1960s, a collection of essays on women in this radical decade whose title draws on William Wordsworth
's memory of being young and idealistic at the... |
Textual Production | Muriel Spark | MS
published Tribute to Wordsworth
: A Miscellany of Opinion for the Centenary of the Poet's Death, a work on Wordsworth's reception in which she dealt with the twentieth century and Derek Stanford
with the nineteenth. Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press, 1992. 19 Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson, 2009. 109 |
Textual Production | Mary Bryan | The preface to the work writhes between expression and suppression. MB
alternately fears being blamed for vanity or presumption Bryan, Mary, and Jonathan Wordsworth. Sonnets and Metrical Tales 1815. Woodstock Books, 1996. viii |
Textual Production | Mary Augusta Ward | This lecture, given by the orthodox clergyman Rev. John Wordsworth
(nephew of the poet
), had greatly angered her. From this time on, she regularly wrote reviews and essays, and she later remarked that the... |
Textual Production | Margaret Gatty | MG
followed this great success with Worlds not Realized, 1856 (an instructional book whose title is adapted from a line in Wordsworth
about the blank misgivings of the soul obstinately questioning the resistant physical... |
Textual Production | Dorothy Wordsworth | William Wordsworth
's Description of the Scenery of the English Lakes appeared in April 1810 as an introduction to the Rev. Joseph Wilkinson
's Select Views in Cumberland, Westmorland, and Lancashire. It included a... |
Textual Production | Sara Coleridge | Following the correspondence of SC
's mother with Thomas Poole
(Minnow among Tritons. Mrs. S.T. Coleridge
's letters to Thomas Poole, 1799-1834, British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Anne Marsh | |
Textual Production | Mary Boyle | Sometime after 1864 MB
worked together with Tennyson
, Landor
, and Wordsworth
in a miscellany encouraged by Lord Northampton
(brother of her friend Lady Marian Alford, and son of the remarkable poet Margaret, Lady Northampton |
Textual Production | Dorothy Wordsworth | This was from the beginning a less purely private text than the Grasmere journal, being written, said DW
, for the benefit of a few friends who were unable to come on the tour (foremost... |
Textual Production | Flora Thompson | She had begun this the summer after the war, calling it These Too Were Victorians. Her publisher, Geoffrey Cumberlege
, wrote with congratulations on the first instalment she sent him, and offered her an... |
Textual Production | Anne Marsh | The title-page bore a creative misquotation from William Wordsworth
: She lived within her father's halls . . . And very few to love—which converts the rustic Lucy into an upper-class heroine like AM |
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