William Wordsworth

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Standard Name: Wordsworth, William

Connections

Connections Sort descending Author name Excerpt
Textual Features Valentine Ackland
Warner and Ackland point out in a Note to the Reader, which is a kind of manifesto, that the text is not a collaboration, but rather a joint collection of their poetry. They explain...
Textual Features Rosamund Marriott Watson
In addition to reviews, RMW contributed sixteen signed poems, including one entitled The Lost Leader, which was published one week after his death in tribute to the poet William Ernest Henley who had died...
Textual Features Freya Stark
Despite the generality of her introduction, Stark relates her particular experiences in Aden, Egypt, Syria, Palestine, Transjordan, and Iraq. She depicts the Arab character through detailed descriptions and through...
Textual Production Sara Maitland
SM edited Very Heaven: Looking Back at the 1960s, a collection of essays on women in this radical decade whose title draws on William Wordsworth 's memory of being young and idealistic at the...
Textual Production Muriel Spark
MS published Tribute to Wordsworth : A Miscellany of Opinion for the Centenary of the Poet's Death, a work on Wordsworth's reception in which she dealt with the twentieth century and Derek Stanford with the nineteenth.
Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press, 1992.
19
Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson, 2009.
109
Textual Production Mary Bryan
The preface to the work writhes between expression and suppression. MB alternately fears being blamed for vanity or presumption
Bryan, Mary, and Jonathan Wordsworth. Sonnets and Metrical Tales 1815. Woodstock Books, 1996.
viii
and hints at her ambition, citing Charlotte Smith . She admires Smith for having succeeded...
Textual Production Mary Augusta Ward
This lecture, given by the orthodox clergyman Rev. John Wordsworth (nephew of the poet ), had greatly angered her. From this time on, she regularly wrote reviews and essays, and she later remarked that the...
Textual Production Margaret Gatty
MG followed this great success with Worlds not Realized, 1856 (an instructional book whose title is adapted from a line in Wordsworth about the blank misgivings of the soul obstinately questioning the resistant physical...
Textual Production Dorothy Wordsworth
William Wordsworth 's Description of the Scenery of the English Lakes appeared in April 1810 as an introduction to the Rev. Joseph Wilkinson 's Select Views in Cumberland, Westmorland, and Lancashire. It included a...
Textual Production Sara Coleridge
Following the correspondence of SC 's mother with Thomas Poole (Minnow among Tritons. Mrs. S.T. Coleridge 's letters to Thomas Poole, 1799-1834,
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
a volume entitled Sara Coleridge and Henry Reed was published in...
Textual Production Anne Marsh
Among AM 's surviving letters are a few to friends about her early publications and her feelings about them. She kept her letters to her son, Martin, during his final year at Eton . To...
Textual Production Mary Boyle
Sometime after 1864 MB worked together with Tennyson , Landor , and Wordsworth in a miscellany encouraged by Lord Northampton (brother of her friend Lady Marian Alford, and son of the remarkable poet Margaret, Lady Northampton
Textual Production Dorothy Wordsworth
This was from the beginning a less purely private text than the Grasmere journal, being written, said DW , for the benefit of a few friends who were unable to come on the tour (foremost...
Textual Production Flora Thompson
She had begun this the summer after the war, calling it These Too Were Victorians. Her publisher, Geoffrey Cumberlege , wrote with congratulations on the first instalment she sent him, and offered her an...
Textual Production Anne Marsh
The title-page bore a creative misquotation from William Wordsworth : She lived within her father's halls . . . And very few to love—which converts the rustic Lucy into an upper-class heroine like AM

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