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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.George Eliot
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Standard Name: Eliot, George
Birth Name: Mary Anne Evans
Nickname: Polly
Nickname: Pollian
Self-constructed Name: Mary Ann Evans
Self-constructed Name: Marian Evans
Self-constructed Name: Marian Evans Lewes
Pseudonym: George Eliot
Pseudonym: Felix Holt
Married Name: Mary Anne Cross
GE
, one of the major novelists of the nineteenth century and a leading practitioner of fictional realism, was a professional woman of letters who also worked as an editor and journalist, and left a substantial body of essays, reviews, translations on controversial topics, and poetry.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Production | Dinah Mulock Craik | DMC
never published under her name, but always as by the author of one or more of her preceding books. In a review of George Eliot
, she said she respected the author's pseudonym in... |
Textual Production | Flora Thompson | In 1923 The Catholic Fireside launched FT
's column entitled the Fireside Reading Circle. As well as competitions for readers, with her critiques on their efforts, it included her own essays on literary topics... |
Textual Production | Edith J. Simcox | EJS
began writing what she calls her autobiography although its form is that of a secret diary, intending it as a record of her constancy to George Eliot
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Geraldine Jewsbury | Although she disapproved of The Mill on the Floss, GJ
praised George Eliot
's Adam Bede for its genius and also liked Silas Marner for its depictions of human nature, however humbly embodied it... |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Edith J. Simcox | EJS
's autobiography was published for the first time, as A Monument to the Memory of George Eliot
: Edith J. Simcox's Autobiography of a Shirtmaker, edited by Constance M. Fulmer
and Margaret E. Barfield
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Simcox, Edith J. A Monument to the Memory of George Eliot. Editors Fulmer, Constance M. and Margaret E. Barfield, Garland, 1998. |
Textual Production | Naomi Alderman | NA
says this book was facilitated by the success of fictions about other, distinct communities: Zadie Smith
's White Teeth, Monica Ali
's Brick Lane, and especially influenced by Jeanette Winterson
's Oranges... |
Textual Production | Julia Wedgwood | For the next thirty-five years she published steadily on religious, scientific, and moral concerns. She also produced profiles of other authors such as George Eliot
and Samuel Taylor Coleridge
. A collection of this work... |
Textual Production | Adrienne Rich | This collection contains two epigraphs: one from André Breton
's Nadja, and another from George Eliot
, which reads, There is no private life which is not determined by a wider public life. qtd. in Rich, Adrienne. Diving into the Wreck. Norton, 1973. 1 |
Textual Production | Matilda Betham-Edwards | |
Textual Production | Elizabeth Gaskell | The idea of self-improvement through writing and reading correlates to the strong emphasis in EG
's fiction on education and the impact of environment. This was undoubtedly influenced by a Unitarian intellectual background indebted to... |
Textual Production | John Oliver Hobbes | JOH
was also responsible for the George Eliot
entry in the famous tenth edition of the Encyclopædia Britannica, published in 1902. Written under the title Cross, Mary Ann, this is a somewhat idiosyncratic... |
Textual Production | Mathilde Blind | MB
published her George Eliot, the first life in the Eminent Women Series conceived by John H. Ingram
, and the first biography of her subject (just ahead of that by John Walter Cross |
Textual Production | George Henry Lewes | |
Textual Production | Sophie Veitch | For five years she continued to publish articles, mainly reviews of fiction, for The Scottish Review. Her Echoes of the Eighteenth Century appeared in January 1885, George Eliot in April 1885, Current Fiction in... |
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