Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972.
318-19
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | May Laffan | Set largely in Laffan's home town of Dublin, Hogan, M.P. captures an Ireland whose growing Catholic middle class is challenging the long empowered Protestant ascendancy. The action takes place three or four years before... |
Intertextuality and Influence | Sybille Bedford | The third rejected novel was the story of a young man working at a tedious business job in London who loves art and travel and the good life, who falls in with a powerful and... |
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Intertextuality and Influence | Julia Pardoe | Indebted to the tradition of Goethe
's Faust, the story may have influenced Marie Corelli
's Sorrows of Satan (1895). |
Intertextuality and Influence | Matilda Betham-Edwards | The poems are printed chronologically (by the author's desire rather than the editor's). MBE
's introduction says nothing about her subject's parentage or his life-history, but canvasses the issues involved in selecting from his poems... |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Maria Edgeworth | She designed it to combat the influence of romantic fiction, and to answer Germaine de Staël
's Delphine and Goethe
's Sorrows of Werther. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 318-19 |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Charlotte Smith | |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 243 |
Literary responses | Anna Mary Howitt | Rossetti deeply admired this picture, which was Pre-Raphaelite in technique, showing a woman in mourning pose in sunlight, and was inspired by Goethe
's Faust. Howitt's paintings generally focused on melancholy female subjects or... |
Literary responses | Germaine de Staël | Goethe
was so impressed with this essay that he translated it into German. Winegarten, Renee. Mme de Staël. Berg, 1985. 47 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Literary responses | Helen Craik | Neilson
detected Werterism in HC
's poems: a tragic sentimentality and preference for suicidal and murderous subjects, which conformed to a current mode even if it was not in fact a direct response to Goethe
. qtd. in Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Occupation | Margaret Fuller | The Conversations were not without their critics, however. Maria Weston Chapman
, head of the Boston Female Anti-Slavery Society
, criticised them for failing to address abolition explicitly. Chapman may have influenced the opinion which... |
Occupation | Thomas Carlyle | In 1814, TC
left the University of Edinburgh
and started teaching, taking up a position at Annan Academy
. He returned to Edinburgh in 1819 to pursue his literary aspirations. While there, he also worked... |
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