Wolff, Robert Lee. Sensational Victorian. Garland, 1979.
243
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Intertextuality and Influence | Julia Pardoe | Indebted to the tradition of Goethe
's Faust, the story may have influenced Marie Corelli
's Sorrows of Satan (1895). |
Intertextuality and Influence | Matilda Betham-Edwards | The poems are printed chronologically (by the author's desire rather than the editor's). MBE
's introduction says nothing about her subject's parentage or his life-history, but canvasses the issues involved in selecting from his poems... |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Charlotte Smith | |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 243 |
Intertextuality and Influence | Maria Edgeworth | She designed it to combat the influence of romantic fiction, and to answer Germaine de Staël
's Delphine and Goethe
's Sorrows of Werther. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 318-19 |
Intertextuality and Influence | Caroline Norton | The novel takes its epigraph from Goethe
's Faust. Norton, Caroline, and S. Bailey Shurbutt. Lost and Saved. Scholars’ Facsimilies and Reprints, 1988. i |
Intertextuality and Influence | Charlotte Smith | Syndy Conger has noted that this novel reveals a shift in Smith's attitude to sensibility in the four years since her sonnets: where she was enthusiastic she is now sceptical, even satirical, in her stance... |
Intertextuality and Influence | Mary Elizabeth Braddon | Set on the coast of Devon fifty years earlier, it traces the fates of two strong characters: Methodist preacher and shopkeeper Joshua Haggard and his daughter Naomi. In the opening scene, Joshua rescues Oswald Pentreath... |
Intertextuality and Influence | Beatrice Harraden | The epigraph, she said, came from an (unidentified) old English author. qtd. in Galbraith,. “Things Literary in London Gossip”. New York Times, 21 Mar. 1908. |
Intertextuality and Influence | Elizabeth Sophia Tomlins | |
Intertextuality and Influence | Felicia Hemans | FH
studied German earnestly during this period of her life, and preferred Schiller
to Goethe
. Elwood, Anne Katharine. Memoirs of the Literary Ladies of England, from the Commencement of the Last Century. Henry Colburn, 1843, 2 vols. 235 Hughes, Harriet Browne Owen, and Felicia Hemans. “Memoir of Mrs. Hemans”. The Works of Mrs. Hemans, W. Blackwood, 1839, pp. 1-315. 54 |
Intertextuality and Influence | Vernon Lee | This collection of essays marks her turn from the search for pure aesthetic perception and expression towards the growth of social conscience. She frames this change by her reading of Pater
's Marius the Epicurean... |
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