“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
239
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Louisa May Alcott | LMA
's Johann Wolfgang von GoetheFaustian novel A Modern Mephistopheles was published in 1877. Its title had originally belonged to her sensation novel, A Long and Fatal Love Chase, which was posthumously published in 1995. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 239 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Elizabeth von Arnim | Inspired by the spirited correspondence between Goethe
and Bettina von Arnim
, EA
(as the author of Elizabeth and her German Garden) published Fräulein Schmidt and Mr. Anstruther. Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press, 1986–2011, 6 vols. 1: 136 Usborne, Karen. "Elizabeth": The Author of Elizabeth and Her German Garden. Bodley Head, 1986. 117 |
Intertextuality and Influence | Helen Maria Williams | This novel re-writes Rousseau
's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan
's Sidney Bidulph or Henry Mackenzie
's Julia de Roubigné. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon, 1993. 33 |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Helen Maria Williams | |
Intertextuality and Influence | Gertrude Stein | Critic Shirley Neuman
sees this opera as an important step towards the final version of Ida.GS
's Faustus (unlike Marlowe
's or Goethe
's) is tormented by the fact that he cannot go... |
Intertextuality and Influence | Anna Brownell Jameson | The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists... |
Intertextuality and Influence | Edith Wharton | After an epigraph from Goethe
(in German) EW
begins with her earliest memory, which she identifies with the birth of identity and relates in the third person, of the little girl who eventually became me... |
Intertextuality and Influence | Anne Bannerman | Her model for the sonnet, as well as for the use of male erotic voices from Petrarch
and Goethe
, was Charlotte Smith
, though AB
's tone is more unrestrained and impassioned than Smith's. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 135-6 |
Intertextuality and Influence | Elizabeth Jolley | EJ
invoked as an appropriate description of her own motivation, Flaubert
's dictum that writing comes from an inner wound. Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol. 15 , No. 2, 1993, pp. 37-43. 40 |
Intertextuality and Influence | Hannah More | More takes a sceptical view of sensibility: she reproves both the representation of it in Goethe
's Werther (which had been available in English for about three years) and the sentimental enthusiasm which the book... |
Intertextuality and Influence | Anne Bannerman | The contents included odes, sonnets (including one sequence from Petrarch
and another based on Goethe
's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to... |
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