Wandor, Michelene. The Music of the Prophets. Arc Publications.
34
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Charlotte Lennox | She met Sarah Fielding
at Richardson's house, and became friendly also with Henry Fielding
, Saunders Welch
(the philanthropist, who later offered her employment), and Lord Orrery
. She was presumably the Mrs Lenox with... |
Friends, Associates | Anna Letitia Barbauld | A week later, calling her an amiable lady, he claimed (falsely) that she saw Richardson
as the equal of Shakespeare
. In January 1812 he shocked Henry Crabb Robinson
(who thought this behaviour personally... |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Mrs Martin | The title-page quotes Shakespeare
's Romeo and Juliet, Oh serpent heart . . . . Though slightly schematic in plan, the novel features lively and winning pictures of family life. The marriages made by... |
Intertextuality and Influence | Mrs Ross | Many chapters are headed with quotations from Shakespeare
or Cowper
. This novel pits domestic (upper-class) ties against destructive passions, the latter aroused by the fascinating Marchioness of Laisville (whose vices do not ruin her... |
Intertextuality and Influence | Roma White | In fact the book deals with gardening in town as well as in the suburbs. The cloth cover is attractively designed with a vignette of London above the title and a country scene below. The... |
Intertextuality and Influence | Dorothea Primrose Campbell | |
Intertextuality and Influence | Sarah Fielding | The Cry concerns itself with burning issues for women, particularly those of intellectual conformity and of vulnerability to slander. Its authors show off their huge reading both ancient and modern, and coin new words with... |
Intertextuality and Influence | Elizabeth B. Lester | |
Intertextuality and Influence | George Bernard Shaw | Shakes
Versus Shav, a puppet play by GBS
dramatizing a confrontation between the two playwrights, was first produced at Malvern by the Waldo Lanchester Marionette Theatre
. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press. xxx Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. |
Intertextuality and Influence | Georgiana Fullerton | The novel's title foregrounds GF
's perhaps fantastic extrapolation from history, justified in the Introduction with the assertion that Truth and fiction are closely blended in this tale. . . . Those who are sometimes... |
Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
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