Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Anna Swanwick | Other friends mentioned by her niece and biographer were Fredrika Bremer
, Anna Brownell Jameson
, Frances Power Cobbe
, Thomas Carlyle
, George MacDonald
, Lady Eastlake
, Elizabeth Rundle Charles
, Lady Martin |
Friends, Associates | E. Nesbit | EN
began to dabble, around 1908, in the Baconian question (whether the plays of Shakespeare
were actually written by Francis Bacon
). Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson, 1987. 278-9 |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | Candia McWilliam | The book is simple and singular in plot and sparse in characters compared with CMW
's first, but here too a central character is pregnant through most of the action. Here too literary references come... |
Intertextuality and Influence | Elizabeth Baker | The play's impulsive young protagonist, Dorothy Archibald, opposes her parents' wishes by falling in love with a bank clerk who plays the violin. Critic Rudolf Weiss
has noted that the play is full of echoes... |
Intertextuality and Influence | Sarah Harriet Burney | These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She... |
Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
Intertextuality and Influence | Jane Harvey | Again her title-page quotes Shakespeare
. The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion... |
Intertextuality and Influence | Deborah Levy | In Macbeth—False Memory she professed not to be adaptating Shakespeare
, but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically... |
Intertextuality and Influence | Charlotte Charke | CC
closes with a last concealed theatrical reference: the hope that she will be able to pass in the Catalogue of Authors Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints, 1969. 277 |
Intertextuality and Influence | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Intertextuality and Influence | Selina Davenport | The title-page signals the novel's concern with evil and revenge by quoting Shakespeare'sOthello. The story turns on the efforts of the female villain Hippolita, otherwise known as Rosalie, to exact bloody vengeance for... |
Intertextuality and Influence | Julia Constance Fletcher | This is pure fun, heralded by the note below the cast-list: The Scene to take place wherever one pleases, provided the Costumes are pretty enough. There is only one female character: Sylvette, whom the cast-list... |
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