Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn.
162-4
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Melesina Trench | Particular sketches include an allegory sent to Mary Leadbeater entitled The Birth of Calumny Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 162-4 |
Education | Rose Tremain | At this stage of her life, Rosie's great interest and talent was not writing but painting, like her sister. She set out to make a huge, hanging, illustrated copy of Keats
's Ode to Autumn... |
Intertextuality and Influence | Rose Tremain | Most of the stories concern love, and some make creative use of the lives or works of other authors, like Tolstoy
and Daphne Du Maurier
. In The Closing DoorRT
created a character who... |
Intertextuality and Influence | Rose Tremain | Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard
is known as a writer). RT
uses three epigraphs: from St John of the Cross |
Education | Iris Tree | In her early childhood, she read Andrew Lang
's fairy tales, and particularly his Brown Fairy Book (1904). She learned history from the plays of Shakespeare
, with which she became familiar in her many... |
Birth | Viola Tree | Her father, the famous actor-manager Sir Herbert Beerbohm Tree
, named her after the Viola of Shakespeare
's Twelfth Night (though he almost named her Rosalind, for As You Like It). At her birth... |
Family and Intimate relationships | Viola Tree | Throughout her life, VT
took direction from her father, the actor-manager Sir Herbert Beerbohm Tree
, who had abandoned his job in the family corn-trading business to pursue a career on stage, and had changed... |
Occupation | P. L. Travers | Instead of taking up her university scholarship, PLT
went to work. First Aunt Ellie wangled her a secretarial job for which she had to fake competence in maths. Then she managed to get permission to... |
Education | Charlotte Elizabeth Tonna | CET
was self-taught, although she studied hard in her childhood, Todd, Janet, editor. Dictionary of British Women Writers. Routledge. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Shakespeare
on the divinity that shapes our ends. EST
's preface (dated at Chaldon on 25 June) Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly. 1: vi |
Intertextuality and Influence | Flora Thompson | She opened with remarkable clarity, confidence, and accuracy for an entirely self-taught critic: Before Jane Austen began to write, the novelists of her day had depended on involved plot, sensational incident, and the long arm... |
Reception | Flora Thompson | In further Ladies Companion competitions the same year, FT
went on to win joint second prize for her essay on Emily Brontë
(which, again, the magazine printed) and another first prize for her essay on... |
Material Conditions of Writing | Flora Thompson | FT
had grown up reading poetry and wishing to be a poet. For years this was the direction of her deepest literary aspirations, in which Ronald Campbell MacFie
helped and encouraged her. Stressful periods in... |
Intertextuality and Influence | Flora Thompson | From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege... |
Intertextuality and Influence | Elizabeth Thomas |
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