Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Jean Ingelow | In 1875JI
's friend John Ruskin
admitted that he disapproved of her move away from didacticism. He nevertheless cast her as a character of her own creation, calling her my albatross—my Jean—instead of Jenny. qtd. in Knoepflmacher, Ulrich Camillus. “Male Patronage and Female Authorship: The Case of John Ruskin and Jean Ingelow”. Princeton University Library Chronicle, Vol. 57 , 1995, pp. 13-46. 41 |
Literary responses | Christina Rossetti | Arthur Munby
read with strong admiration & pleasure qtd. in Hudson, Derek, and Arthur Joseph Munby. Munby, Man of Two Worlds. J. Murray, 1972. 119 |
Literary responses | Michael Field | Katharine admitted the truth of her authorship to John Ruskin
after she sent him a copy of her work. His response was less than flattering. I did accidently open the Minnesinger and liked a bit... |
Literary responses | May Laffan | For such a short piece this has been reviewed extensively; its popularity endured until the end of the nineteenth century. The Spectator said that [n]o work of fiction that we have seen for a long... |
Literary responses | Charlotte Maria Tucker | The Athenæum proclaimed, a more entertaining and salutary story for merry, scatter-brained, careless children has rarely been put on paper. Athenæum. J. Lection. 1843 (1863): 261 |
Literary responses | May Laffan | John Ruskin
praised the pure and straightforward truth qtd. in Kahn, Helena Kelleher. Late Nineteenth-Century Ireland’s Political and Religious Controversies in the Fiction of May Laffan Hartley. ELT, 2005. 175 |
Occupation | Elizabeth Siddal | Art critic and patron John Ruskin
bought for £30 all of artist ES
's available work, and put her on a quarterly allowance of £150 per year. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989. 69-70 Marsh, Jan. Elizabeth Siddal, 1829-1862: Pre-Raphaelite Artist. The Ruskin Gallery, 1991. 22 |
Occupation | Emilie Barrington | EB
, who was artistically gifted, entered work for the Royal Academy
Exhibition in 1871, while pregnant with her second child, but was not accepted. She claimed to have taken art lessons from Ruskin
... |
Occupation | Barbara Leigh Smith Bodichon | Matilda Betham-Edwards
later wrote that her brilliant sketches were admired by Ruskin
, Betham-Edwards, Matilda. Reminiscences. G. Redway, 1898, p. vi, 354 pp. 270 Betham-Edwards, Matilda. Reminiscences. G. Redway, 1898, p. vi, 354 pp. 269 |
Occupation | Jean Ingelow | She always concerned herself with the plight of the poor and she frequently paid for and served what she called copyright dinners for elderly paupers in Holland Street, Kensington. (She paid for them out... |
Occupation | Dante Gabriel Rossetti | Involved—with his brother
, William Holman Hunt
, John Everett Millais
, and others—in the Pre-Raphaelite Brotherhood
's critique of the reigning artistic principles and values, DGR
has subsequently become one of the most renowned... |
Occupation | John Oliver Hobbes | She was president of the RuskinSociety
between 1903 and 1904. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Occupation | Lewis Carroll | He was also an early photographer of some note, who took portraits of John Ruskin
, Dante Gabriel Rossetti
, and Alfred Lord Tennyson
. Corey, Melinda, and George Ochoa, editors. The Encyclopedia of the Victorian World. Henry Holt and Company, 1996. |
Occupation | Anna Mary Howitt | AMH
was already writing and drawing as a professional when Henry Chorley
, editor of the Ladies' Companion, commissioned her to go to Oberammergau and report on the passion play. On her return to... |
Performance of text | John Oliver Hobbes | JOH
delivered a lecture entitled Dante
and Botticelli before the RuskinSociety
of Birmingham. Hobbes, John Oliver. “Dante and Botticelli”. Saint George, Vol. 5 , No. 17, Jan. 1902, pp. 3-17. 3 |
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