Athenæum. J. Lection.
1843 (1863): 261
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Charlotte Maria Tucker | The Athenæum proclaimed, a more entertaining and salutary story for merry, scatter-brained, careless children has rarely been put on paper. Athenæum. J. Lection. 1843 (1863): 261 |
Literary responses | May Laffan | John Ruskin
praised the pure and straightforward truth Kahn, Helena Kelleher. Late Nineteenth-Century Ireland’s Political and Religious Controversies in the Fiction of May Laffan Hartley. ELT. 175 |
Literary responses | Anna Mary Howitt | Mary Howitt
called the Boadicea picture very fine, truly sublime. Lee, Amice. Laurels & Rosemary: The Life of William and Mary Howitt. Oxford University Press. 216 Lee, Amice. Laurels & Rosemary: The Life of William and Mary Howitt. Oxford University Press. 217 |
Literary responses | Christina Rossetti | Arthur Munby
read with strong admiration & pleasure Hudson, Derek, and Arthur Joseph Munby. Munby, Man of Two Worlds. J. Murray. 119 |
Literary responses | Elizabeth Gaskell | Reviews of Cranford were positive, focusing on its charm and apparent simplicity. In the Athenæum, Henry Fothergill Chorley
commended its touches of love and kindness, of simple self-sacrifice and of true womanly tenderness. Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge. 194 |
Literary responses | George Eliot | Ruskin
in 1881 wrote scornfully of an the English Cockney school, which consummates itself in George Eliot, Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble. 167 |
Occupation | Jean Ingelow | She always concerned herself with the plight of the poor and she frequently paid for and served what she called copyright dinners for elderly paupers in Holland Street, Kensington. (She paid for them out... |
Occupation | Elizabeth Siddal | Art critic and patron John Ruskin
bought for £30 all of artist ES
's available work, and put her on a quarterly allowance of £150 per year. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago. 69-70 Marsh, Jan. Elizabeth Siddal, 1829-1862: Pre-Raphaelite Artist. The Ruskin Gallery. 22 |
Occupation | John Oliver Hobbes | She was president of the RuskinSociety
between 1903 and 1904. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Occupation | Lewis Carroll | He was also an early photographer of some note, who took portraits of John Ruskin
, Dante Gabriel Rossetti
, and Alfred Lord Tennyson
. Corey, Melinda, and George Ochoa, editors. The Encyclopedia of the Victorian World. Henry Holt and Company. |
Occupation | Anna Mary Howitt | AMH
was already writing and drawing as a professional when Henry Chorley
, editor of the Ladies' Companion, commissioned her to go to Oberammergau and report on the passion play. On her return to... |
Occupation | Emilie Barrington | EB
, who was artistically gifted, entered work for the Royal Academy
Exhibition in 1871, while pregnant with her second child, but was not accepted. She claimed to have taken art lessons from Ruskin
... |
Occupation | Barbara Leigh Smith Bodichon | Matilda Betham-Edwards
later wrote that her brilliant sketches were admired by Ruskin
, Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp. 270 Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp. 269 |
Occupation | Dante Gabriel Rossetti | Involved—with his brother
, William Holman Hunt
, John Everett Millais
, and others—in the Pre-Raphaelite Brotherhood
's critique of the reigning artistic principles and values, DGR
has subsequently become one of the most renowned... |
Performance of text | John Oliver Hobbes | JOH
delivered a lecture entitled Dante
and Botticelli before the RuskinSociety
of Birmingham. Hobbes, John Oliver. “Dante and Botticelli”. Saint George, Vol. 5 , No. 17, pp. 3-17. 3 |
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