Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
politics | Emily Davies | ED
's petition was a request for funding to establish a College for women. It was signed by 521 teachers of girls and 175 others, including Robert Browning
, George Grote
, Thomas Huxley
,... |
politics | Flora Shaw | With John Ruskin
's encouragement FS
opened a Co-operative shop for the benefit of the poorer people living around her family's home in Woolwich. Bell, E. Moberly. Flora Shaw. Constable, 1947. 23-4 |
politics | William Morris | WM
was first introduced to reformist politics by his Oxford friends. He read Charles Kingsley
, Thomas Carlyle
, and John Ruskin
(a particularly influential discovery). Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
politics | Michael Field | In January 1875 Katharine Harris Bradley
joined Ruskin
's Guild of St George
, the still embryo utopian society to which this year Fanny Talbot
made a gift of property to join Ruskin's initial donation... |
politics | Frances Power Cobbe | FPC
was a fervent anti-vivisectionist. She followed the issue of experiments on animals closely from early in her career. By 1874 she was petitioning the RSPCA
to pursue legislation restricting vivisection: Robert Browning
, Thomas Carlyle |
Publishing | Charlotte Brontë | She started with Henry Colburn
. After Anne and Emily had arranged with Newby for publication of their first novels, she approached a seventh publisher, Smith, Elder, and Co.
. The firm was the publisher... |
Publishing | Juliana Horatia Ewing | One of its illustrations (by Helen Paterson, later Allingham
, who illustrated a number of JHE
's books), of children in big beaver bonnets . . . seated at a shop-counter buying flat-irons, was... |
Publishing | Elizabeth Rigby | ER
published a scathing critique of Ruskin
in an anonymous review of Modern Painters for the Quarterly. Broomfield, Andrea, and Sally Mitchell, editors. Prose by Victorian Women. Garland, 1996. 81 |
Reception | Elizabeth Siddal | Her patron John Ruskin
gave ES
a copy of Elizabeth Barrett Browning
's Aurora Leigh, apparently viewing her in the same light as its eponymous heroine. Marsh, Jan. Elizabeth Siddal, 1829-1862: Pre-Raphaelite Artist. The Ruskin Gallery, 1991. 14 |
Reception | Lucy Walford | After the publication of Recollections of a Scottish NovelistLW
decided that there were still stories in her mind that rank among the great days of my life, yet which did not fit in with... |
Textual Features | Hannah Cullwick | According to Liz Stanley
, the extent of minutiae, repetition, and corresponding lack of emotional or psychological recording or retrospective analysis in the diaries' accounts of HC
's daily work is a result of their... |
Textual Features | Mary Agnes Hamilton | She argues that Carlyle was under-appreciated but that the twentieth century would discover him to be concerned with its problems, spiritual as well as economic, and would see a revival of interest in him. She... |
Textual Features | Juliana Horatia Ewing | JHE
's youngest brother reported that she thought the structure of any literary work its most vital feature, and too often ignored. She took her views on structural requirements from Ruskin
's Elements of Drawing... |
Textual Features | Maude Royden | Rather than beginning her autobiography with a description of her family heritage or her childhood, MR
treats it like a joint biography (or even a love-story, which was what many readers perceived) and opens with... |
Textual Features | Dorothy Richardson | Carol Watts
notes the influence of two writers in particular on this volume. As she suggests, Miriam's personal and creative journey begins with a departure, as does Lucy Snowe's in Charlotte Brontë
's Villette... |
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