Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House.
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Connections Sort ascending | Author name | Excerpt |
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Intertextuality and Influence | Isa Blagden | A Model and a Wife has a principal cast of three: John Herbert, a solitary English painter living in Rome in ill health; Nell Spencer, a young English heiress (once an abandoned orphan in India... |
Intertextuality and Influence | Edna St Vincent Millay | |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Catharine Amy Dawson Scott | The historical Sappho
had emerged by this date as a potentially lesbian or bisexual figure, for instance in the work of Swinburne
; Michael Field
's Long Ago was published this same year. Dawson's Sappho... |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Anna Brownell Jameson | This second lecture takes as its epigraph the invocation in Tennyson
's The Princess of men and women working side by side in council, hearth, and the tangled business of the world. Jameson, Anna Brownell. Sisters of Charity, Catholic and Protestant; and, The Communion of Labor. Hyperion Press. 143 |
Intertextuality and Influence | Catharine Amy Dawson Scott | The poems take up various late-Victorian feminist issues, and their topicality and title seem to make them an implicit rebuttal of Tennyson
's nostalgic Idylls of the King. In A Woman's Ethics (perhaps an... |
Intertextuality and Influence | Katharine Tynan | Mary Beaudesert, V. S. (1923) is about a young woman who, despite all odds and obstacles, succeeds in becoming a veterinarian and winning the heart of her beloved. “Review of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Mary Beaudesert, V. S.</span> by Katharine Tynan”. Times Literary Supplement, No. 1134, p. 672. 672 |
Intertextuality and Influence | L. M. Montgomery | Her writing, like Emily's, was profoundly influenced by nineteenth-century English writers and poets. LMM
named Hemans
and Byron
in personal letters; Emily cites Tennyson
and Wordsworth
. Gillen, Mollie. The Wheel of Things. Fitzhenry and Whiteside. 149, 161 |
Intertextuality and Influence | Marjorie Bowen | MB
recalls being influenced at an early age by her enjoyment of Tennyson
's Idylls of the King, Wilde
's Picture of Dorian Gray, the novels of Sir Walter Scott
, and Richardson |
Intertextuality and Influence | Charlotte Guest | One of CG
's admirers was Tennyson
, who was soon to become Poet Laureate. He re-told one of her tales in Idylls of the King. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Frances Cornford | Cornford dedicated the book to the memory of her old friend and mentor, Cornford, Frances. Collected Poems. Cresset Press. 5 |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Laura Ormiston Chant | Verona's title poem embeds a number of lyrics within its novelistic structure. Tennyson
's influence is particularly apparent in Serenada, which opens: Now folds the cistus, now / The lemon-blossom sleeps Chant, Laura Ormiston. Verona and Other Poems. David Stott. 50 |
Intertextuality and Influence | Louisa Stuart Costello | LSC
was apparently inspired by the same Italian poem (Cento Novelle Antiche) that inspired Tennyson
's The Lady of Shalott three years later. Simpson, Roger. “Costello’s ’The Funeral Boat’: An Analogue of Tennyson’s ’The Lady of Shalott’”. Tennyson Research Bulletin, Vol. 4 , No. 3, pp. 129-31. 129 |
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