Athenæum. J. Lection.
1879 (1863): 566
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Julia Kavanagh | Athenæum reviewer H. F. Chorley
found some fault with it, attributing it generally to JK
's somewhat stereotypical view of French character. He argues that the purity of mind and taste which we have observed... |
Literary responses | Georgiana Chatterton | Henry Fothergill Chorley
in the Athenæum wrote that this work had come from the pen of an amiable and accomplished lady and that it could only be described as an amazing production. Athenæum. J. Lection. 1879 (1863): 566 |
Literary responses | Emma Jane Worboise | This was reviewed for the Athenæum by Henry Fothergill Chorley
. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. |
Literary responses | Julia Kavanagh | In an extremely lengthy and detailed Athenæum review, H. F. Chorley
notes that Miss Kavanagh is probably the only living Englishwoman [to have] waded through many of the more obscure works she discusses. He adds... |
Literary responses | Anne Marsh | Chorley
's Athenæum review is remarkable for two things: for the vehemence with which he praised the novel's plotting and the climactic scene of preparations for the wedding (which he quoted at length, only regretting... |
Literary responses | Jane Williams | Henry Fothergill Chorley
was dismissive of these volumes in reviewing for the Athenæum. He commented that Price's labours and studies might have been valuable had he devoted them to any wider field of tillage... |
Literary responses | Camilla Crosland | Lydia was reviewed in the Athenæum by Henry Fothergill Chorley
. While he did not have much praise for the work itself (some passages were amusing, others pathetic), he was generous with his... |
Literary responses | Mary Martin | H. F. Chorley
, reviewing for the Athenæum, praised the author's descriptive picturesquenessand noted that her characters are drawn with more force than often belongs to heroes and villains imagined by the Women... |
Literary responses | Augusta Webster | This first poetic attempt was well received. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research, 2001. 240: 333 |
Literary responses | Camilla Crosland | The Athenæum review did not address the book's literary qualities. Instead, Henry Fothergill Chorley
merely wondered how persons of taste and sense can be drawn into such frenzies. Athenæum. J. Lection. 1552 (1857): 941 |
Literary responses | Mary Martin | In his review in the Athenæum, H. F. Chorley
detected the strong influence of Lady Morgan
on the characters and action of this novel. Athenæum. J. Lection. 1184 (1850): 707 |
Literary responses | Charlotte Maria Tucker | Grudgingly, Henry Fothergill Chorley
in the Athenæum said this book was clearly meant for the gentler sex, and that for readers willing to judge it as a religious nouvellette, the author has not succeeded... |
Literary responses | Eliza Lynn Linton | This and her next novel received a moderately good press, including a review by H. F. Chorley
in the Athenæum. The Times review of Azeth, the Egyptian was particularly gratifying. Overall, however, its reception... |
Literary responses | Lucie Duff Gordon | The Athenæum's review of Vacation Tourists and Notes of Travel in 1862-3 pronounced Lady Duff Gordon's letters to be the most popular portion of this book Athenæum. J. Lection. 1917 (1864): 104 |
Literary responses | Harriet Smythies | Henry Fothergill Chorley
, reviewing the book for the Athenæum, wrote that The Life of a Beauty was a mere common novel, with a common heroine. Athenæum. J. Lection. 979 (1846): 789 |
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