Henry Fothergill Chorley

Standard Name: Chorley, Henry Fothergill
Used Form: H. F. Chorley
Used Form: Henry F. Chorley

Connections

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Literary responses Emma Robinson
The Athenæum's reviewer, Henry Fothergill Chorley , wrote that after Mary Russell Mitford 's characterization of Cromwell in her Charles the First, we know not who has conceived of the great General better...
Literary responses Mary Martin
In his review in the Athenæum, H. F. Chorley detected the strong influence of Lady Morgan on the characters and action of this novel.
Athenæum. J. Lection.
1184 (1850): 707
He commented also on the novel's use...
Literary responses Camilla Crosland
Lydia was reviewed in the Athenæum by Henry Fothergill Chorley . While he did not have much praise for the work itself (some passages were amusing, others pathetic), he was generous with his...
Literary responses Emma Robinson
The Athenæum review of this novel was once more by Henry Chorley .
Occupation Adelaide Kemble
AK undertook a singing tour of France and Germany with family and friends, including Fanny Kemble , Mary Anne Thackeray and Henry Chorley . Liszt joined them in Germany.
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder.
Ritchie, Anne Thackeray. From Friend to Friend. Editor Ritchie, Emily, John Murray.
54
Occupation Adelaide Kemble
AK 's stature as a singer was evaluated shortly after her retirement by Anna Jameson in her Memoirs and Essays, 1846, and twenty years after it by Henry Chorley in his Thirty Years' Musical...
Publishing Jane Loudon
JL 's last number of The Ladies' Companion: At Home and Abroad appeared: the final issue before the publishers, Bradbury and Evans , forcibly replaced her as editor against her will, with Henry F. Chorley .
Howe, Bea. Lady with Green Fingers. Country Life.
121
Publishing Jane Loudon
She had not been in her position long, though, when Evans made her two successive disturbing visits. On the first he told her that her journal's circulation figures were disappointing, and that she would be...
Publishing Elizabeth Gaskell
While researching her biography of Charlotte Brontë , EG was warned by Henry Chorley that unpublished letters were protected by copyright, and that she should seek permission from the executors.
Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber.
403
Reception Caroline Norton
H. F. Chorley , reviewing for the Athenæum, considered this the most melancholy tale he could recall, and argued that it was not wholesome or an accurate depiction of nature to argue via fiction...
Reception Anna Eliza Bray
Henry Fothergill Chorley 's Athenæum review observed that the heaviness of Mrs. Bray's style would not oppress her young as much as her adult readers, adding that some of the legends are quaint and marvellous...
Textual Features Anna Eliza Bray
Henry Fothergill Chorley 's review celebrated the book's illustrations, declaring that a more beautiful volume than this is not often issued.
Athenæum. J. Lection.
1261 (1851): 1381
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.
With respect to the book's literary value, however, he concluded that...
Textual Features Anne Marsh
The couple are married; they have two sons, one of whom further develops the reader's involvement with Randal Langford by his steady devotion to his father. Nevertheless, the working out of the denouement was found...
Textual Production Felicia Hemans
Chorley (who included extracts from Hemans's letters) represents her as home-loving, but also as humorous and even mischievous: she could talk delicious nonsense, and well as inspired sense, and the utilitarian and the serious, who...
Textual Production Mary Russell Mitford
MRM undertook for Henry Chorley to provide a series of Readings of Poetry, Old and New: selected extracts with her commentary.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers.
2: 301

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